A visit

Ancestral voices unheard. Pervasive shouts of ‘make a silly face’ selfy talk.

Sit on the grass itself. Notice rabbit poo – no rabbits in sight.

Five breaths. Inhale and release.

Offer – nutty bar and paint water.

Unspeaking ravens watch.

Tune in your eyes, a light pass then shadows. Dry faced lichen stones.

The formalities done with. Mix the paint again.

Hands strike across the page. In that place we dance.

[Observations made when painting at Stonehenge, 21 August 2023]

All quiet …

You might be wondering why everything is so quiet on the blog front. It’s simple really. I am currently walking the Camino di Santiago across Spain with my partner. I am posting to other social media channels and I have run out of steam for the blog. Sorry!

We are sketching as we are walking. We walk up to about lunchtime, find our accommodation and then go out sketching in the afternoon .

The church at San Juan de Ortega
Looking from our hostel to the church tower in Villafranca Montes de Ocas
Abandoned buildings in Redecilla del Camino.
The entrance to Burgos Cathedral

If you are interested in following our journey we are both sharing our sketches on a dedicated Facebook page: https://www.facebook.com/profile.php?id=100092387762574

I am also sharing, a more or less daily dump of photos on my Instagram page (at) leonieandrewsart.

End of another year

I will just share some photos as I haven’t reached any conclusions about the year. I’ve made work, communed with like-minded friends both online and in person around the world. Thank you all for being open and sharing your year with me as well.

Part of a major piece going on show in 2023.
Some silliness with friends in Indonesia.
A female (left) and juvenile male (right) Eastern Koels, summer visitors to our part of Australia.
Sketching in my own backyard, late December.
Sketching in other people’s back yards, Hila, Ambon, Indonesia in October. The Dutch built Immanuel Church, 1659 and locals fishing on the pier.

A brief encounter

I am at the end of a very brief encounter with Ikara-Flinders Range National Park and I would desperately love to be giving it more attention.

The southern end of Wilpena Pound with a headcovering of cloud.

We have just spent the second of two full days staying at Wilpena Pound. Tomorrow we leave. The weather has been vile. Cold, rainy and blowing a gale. But, but, but … it’s breathtaking.

The view from Razorback Lookout with a rainbow between showers (PS that funny line in the photo is one of the wires around the lookout).

We have sketched from our car, all of the first day and some of our second day. But my biggest frustration with this experience is finding my own voice because I seem to be painting other people’s paintings.

Australians will have some familiarity with the work of watercolourist Albert Namatjira and possibly with photographer Harold Casneaux, whose image ‘Spirit of Endurance‘, was made only a short distance from where we are staying.

So when I start painting I see Namatjira’s work floating in front of me. It’s a challenge to paint with that over your head. However, the more I  thought about it I realised that I should learn from those artists, before I worry about my own style.

Late afternoon light on Wilpena Pound.

Obviously I just need to get on with it.

Wilpena Pound from Bunyeroo Gorge drive.