Drawing Sydney (not all cafes)

Well it’s been a while since I posted, mainly because I have been busy finalising my first solo exhibition in Sydney, (more of that in another post). We had to drive up from Canberra for the installation so once we arrived we had some spare time to get some sketching done.

You probably won’t be surpised that this has meant sitting in cafes and sketching, although it’s also been about taking the opportunity to look out at the busy urban settings as much as drawing people. We are staying in the inner-ish suburb of Strathfield, close to the railway  station. It’s a lively area with plenty of activity all day.

Early morning coffee sketching at Maldini’s Espresso. The place across the road must have the good dumplings because there were always queues there at night.

The area also has a very strong Korean focus. You can’t go wrong with Korean barbecue restaurants and the style and content of the local grocery and specialty shops is a far cry from what we have in our local area. It makes a heady mix for us sketchers!

We also spent some time at the Art Gallery of New South Wales,  where I had just enough time to sketch some sculptures as fit in another cafe sketch.

Lyndon Dadswell, The Birth of Venus, 1944. One of a number of smaller sculptures displayed together.

I love the way these groupings of sculptures relate to each other and the art around them. It was a bit of a challenge to see enough detail in the Dadswell sculpture to draw it, as it was silhouetted against a bright window. The view of the back of the sculpture was much better lit. Unfortunately I didn’t have enough time to sketch that as well.

The rear view of the Birth of Venus by Lyndon Dadswell.
One final cafe sketch.

Two more farm sketches

Our hope for a day of sketching more at the farm disappeared along with the good weather.

As there were cows on hand, so to speak, I decided to start with them. In fact this is one cow and several calves, two which have been abandoned by their mothers and one belonging to said cow.

A cow and calves. Felt tip pen and watercolour.

I then moved back to the riding arena (the family breed stock horses) and sketched this still life. The orange ‘ropes’ are slings used in conjunction with the heavy machinery for lifting things.

Farm equipment on the wall. Watercolour and pencil.

Summit Walk (unposted from 2017!)

Yesterday (20 November 2017) we went for a pleasant walk around our local landmark Black Mountain. A walking track circles it below the summit. The walk is posted as taking 45 minutes to complete, but allowing for stopping to botanise and sketch we managed the circumnambulation at a cracking two hours and ten minutes!

Black Mountain telecommunications tower.

'Tiger' orchid, Diuris sulphurea, Black Mountain ACT

Escape to the country!

Last week we finally left our Canberra for the first time in months to drive an hour away to the country town of Braidwood.

The village of Braidwood started to form around the 1840s and has retained many of it’s older 19th century buildings along the main street. As such, it’s a great place to sketch.

I was sketching across the road from the CWA (Country Women’s Association) building and the post office and then later further down the main street into town.

My first sketch was made on a page that I had prepared with white gesso and ink a few weeks back. I also collaged some paper onto my page, which I had made by printing from a gelli (gel) plate. That saved me from having to paint the mountain.

Along the street my eye was caught by an interesting combination of rooflines and light poles.

Steep roofs and tall chimneys. Watercolour and pencil.

I was just getting stuck into my blind contour drawing when I had to go for lunch which we had booked at the Albion Cafe.

Blind contour drawing of the same scene of rooftops and light poles.

I liked this last one best of all. It’s probably a good thing that we had to go to lunch before I ruined it.