‘Drawn In’ 26 May

I finally made it back to one of the National Portrait Gallery’s drawing days. This time rather than have a set piece to draw from there was a musician, Rose Maher, playing songs for Reconciliation Week.

My first drawing was of Rose and her father (whose name I didn’t catch), backing her up on guitar.

Rose Maher and her father at the National Portrait Gallery

Rose Maher and her father at the National Portrait Gallery

Next I tried  the jug and glasses on a small stool, with dramatic shadows provided by the bright sunlight streaming in the window. The watercolour was added later.

Pencil sketch with watercolour

Pencil sketch with watercolour

My final drawing was of some of the other people participating in the event. The watercolour was added later.

'Drawn In' 26 may 2013 at the National Portrait Gallery

‘Drawn In’ 26 May 2013 at the National Portrait Gallery

The next sessions , if you are in Canberra, will be held on Sunday 9 June and Sunday 7 July from 1pm to 3pm. On Sunday 26 June there will be a special life drawing class with Braidwood artist John R Walker (fees apply).

Coming back down to earth

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Another speaker at the Designing a Capital forum last week was the artist Geoff Farquar-Still, whose sculpture of a paper aeroplane has come to rest not far from the coffee shop we frequent.

Geoff commented that, when this work was first placed near the High Court building, children played on it, assuming it was a piece of playground equipment. I’m not sure why the piece was moved (I do recall a sculpture competition being temporarily sited in that area), but I’m  sure that in its current location, adjacent to a children’s playground, it’s still getting similar attention. Interestingly, the surveyor working nearby had to be convinced that it was a sculpture and not just another piece of playground equipment.

A day in the Nishi Building

Last Friday I attended a day-long forum called Designing a Capital: Crafting a Nation, put on by Craft ACT. Lots of interesting presentations, not the least about the building we were sitting in, the Nishi Building, part of the New Acton complex.

East facade of the Nishi Building along with some of the graffiti art on the building site hoardings

East facade of the Nishi Building along with some of the graffiti art on the building site hoardings

Architect Craig Baudin (Fender Katsalidis Architects) spoke about the integration of art into the building design process. As he spoke just before lunch I took the opportunity during the break to check out some particularly interesting works.

Sculptor Steven Siegel has made two works for the Nishi building. His sculpture Carbon is woven through the eastern facade of the building near the entrance. It is made from recycled tyre rubber and looks like a series of roots finding its way out of the bottom of the building.

Carbon, sculpture by Steven Siegel

Carbon, sculpture by Steven Siegel

His other work, Paper, is already disappearing into the landscape. It is composed of two years worth of Canberra Times newspapers, stacked to make a wall at the end of the access road. The development of this work over time will be fascinating to watch, particularly as the plants on top of the wall start growing into the work.

Newspaper sculpture using two years worth of old Canberra Times newspapers

Paper by Steven Seigel. Newspaper sculpture using two years worth of old Canberra Times newspapers

You can read more about Steven and his work for Nishi here or check out Steven’s website here.

Last but certainly not least is the grand staircase, currently moving majestically towards the yet unfinished Nishi Hotel. Designed by the March Studio group and composed of offcuts of wood, including some leftovers from the building’s facade this amazing collection of timber is the highlight of the foyer. I’m not sure if it was low blood sugar or plain excitement, but I managed to get only blurry photos of this masterpiece.

The Grand Staircase, in the Nishi Building foyer by March Studio Melbourne

The Grand Staircase, in the Nishi Building foyer by March Studio Melbourne

Some clearer photos can be found here.