Today I decided to keep it simple. Pen and ink, blind drawing and the queue at the coffee shop & bakery.
It’s annoying that my current sketchbook is just a fraction too large to fit on my scanner so I’ve had to scan and re-join today’s drawings.
Today I decided to keep it simple. Pen and ink, blind drawing and the queue at the coffee shop & bakery.
It’s annoying that my current sketchbook is just a fraction too large to fit on my scanner so I’ve had to scan and re-join today’s drawings.
A quick trip to the National Gallery yesterday to see the small exhibition Black – more of that another time perhaps. En route passed this unidentified Indian goddess in the Asian gallery.
Today I was back to play at the cafe again with my magic pencils and the odd bit of white chalk.
Two faces at the cafe, magic pencils Fire and America (left); Fire, America, Tropical and white chalk (right)
And some more.
I’ve been working on drawing people for some months now. I don’t find it easy and I might easily persuade myself to draw something else but I am persisting with it. To try and improve the outcomes – in my eyes at least – I’ve been trying out some different techniques.
My default position to date has been a fairly realistic approach which relies on hoping my subjects are wearing sunglasses so I don’t have to draw tricky eyes and noses. Most of these drawings work, but the result is that my city appears to be occupied by shady characters at best and the random, deranged-looking person at worst.
I’ve been tossing around some options for changing my approach to drawing people. I was much happier with the quick sketches I did at the beach earlier this year, where I used a quick wash of watercolour that I quickly sketched into. So over the past few weeks I’ve been working on this as a new approach to people sketching in cafes.
I’ve mainly used a watercolour graphite pencil to add detail, I’m also trying using my pen and ink.
I’ve also found that if I put down a light wash that I can also quickly add some shadows and contours with subsequent washes.
And while it might seem obvious it has also dawned on me that if I am working on a small piece of paper it is actually harder to get a well drawn face because I don’t have enough space to capture the details I want, duh!
There’s no doubt that I’m still better at capturing body shapes than faces,
but I am keeping on with this approach.
This Wednesday I had to go across town for an appointment so afterwards I had coffee at a different cafe, The Front in Lyneham. It a quirky place with retro furniture and a funky feel, well this is in the heart of university / inner urban Canberra.
I was blessed with a subject who was completely involved with reading the paper and a quirky window above him. The window, which was originally some sort of external fan or vent has been replaced by a sculptural arrangement of brass taps.
Here are some sketches from the past few weeks, no theme other than they were drawn while drinking coffee!
I was just getting this portrait started when the man finished his coffee and left. I decided to fill the rest of the page with a sign I could see out the window.
At least this next subject wasn’t going anywhere!
last but not least a blind drawing of the scene across from the cafe with lots of wheels in it. A forklift, a shopping trolley, a wheelie bin, two flatbed trolleys and a car. (Please excuse the image quality, the page wouldn’t sit flat on the scanner and I had some bleed through from the previous drawing on the other side of the page).