Teaching at the underpass

This year I have twice taught introductory classes on urban sketching for our local Community Arts Centre. We have been sketching at a local shopping centre focusing on sketching the underpass and the toilet block.

I have actually become quite fond of sketching this underpass.

Strange subjects for sketches I know, however they are simple enough shapes to practice proportional measuring and drawing for people with limited sketching experience. I want to help people experience the satisfaction of making a ‘good’ drawing; good enough to encourage them to keep on trying.

I won’t go into the details of what this all means, suffice to say that getting the relative proportions relatively correct means a much more satisfactory outcome to the drawing.

Above is a quick sketch where I’ve demonstrated how to use a pencil to measure the proportions of the underpass.

Demonstrating the results of making light and dark shades with watercolour pencils. The challenge is encouraging people to use a wider tonal range, particularly strong darks, which if nothing else save the sketch from death by mid-tone values.

Secondly some suggestions on how to use watercolor pencils. Then a small drawing demonstrating how you can emphasize the background, rather than focus on a tree in the foreground of your main subject.

A small sketch using ‘negative space, to make a tree trunk pop out from the over pass railings behind it.

And finally my piece de resistance a sketch completed upside down. This sketch shows the relative values of the underpass and how to include the two trees in front of it, without them detracting from the main subject.

All my best ideas are nicked from other sketchers. This one is no exception. Alvin Wong, an urban sketcher from Hong Kong, once explained that one of the most useful skills he learned in his early days as an architect was how to draw and write upside down, while delivering presentations to clients. Not only does it impress the socks off people, but in this case I could demonstrate the ideas I was trying to share so the sketcher could easily follow my drawing.

Not bad for my first upside down drawing.

Perspective Practice

This is the first in a short series that comes from tidying up my blog. I have found several draft posts that never made the light of day. So here they come.

Following on from the class with Stephanie Bowers, an architectural illustrator and urban sketcher, on getting a handle on perspective, I thought I’d better get some practice in. These are some of the sketches I’ve done over the past few days.

29mar2017

Thank heavens for narrow alleys

While they are not necessarily the most exciting of locations, our local shopping precinct has enough lanes and intersections to make finding a subject easy.

5Apr2017b

The bus stop provided convenient seating, as well as subject matter

Stephanie also taught us watercolour techniques, to add to our perspective drawings. I love the opportunity to pick up tips from other artists, such as a good way of getting an even darker grey by mixing Ultramarine Blue and Burnt Sienna, with the tiniest touch of Alizarin Crimson. Stephanie also demonstrated using square brushes, something I haven’t done before with watercolour.

Everyday practice

Here are some sketches from my current ‘handbag’ sketchbook. I am trying to use up one of the myriad sketchbooks that seem to spontaneously generate in my spare room. This book isn’t too good with wet media so I mainly try and sketch in pencil. The pencils I am using are a Palomino Blackwing 530 and my el cheapo multicolour pencil I got in Japan at Sekkaido.

In rough date order …

Trying to get some more interesting perspectives into these ‘regular’ events.

From the car in a roof top carpark.

Sketching graffiti from a roof top carpark.

This is a work in progress. I do a bit more every time I stop here to collect the mail.

Again, trying to enliven a cafe sketch. It gets very busy at our local cafe on Saturday morning. There are lots of parents and kids relaxing after the kids football matches.

Cafe Wednesday – the hat

It only took one look to decide what the subject of this week’s drawing would be. Strong light was delineating the rather dashing hat being worn by a man at a nearby table.

25May2016

Magic pencils and white pencil on toned tan Strathmore paper

The light also cast a dramatic diagonal across his face.