This is the first in a short series that comes from tidying up my blog. I have found several draft posts that never made the light of day. So here they come.
Following on from the class with Stephanie Bowers, an architectural illustrator and urban sketcher, on getting a handle on perspective, I thought I’d better get some practice in. These are some of the sketches I’ve done over the past few days.
Thank heavens for narrow alleys
While they are not necessarily the most exciting of locations, our local shopping precinct has enough lanes and intersections to make finding a subject easy.
The bus stop provided convenient seating, as well as subject matter
Stephanie also taught us watercolour techniques, to add to our perspective drawings. I love the opportunity to pick up tips from other artists, such as a good way of getting an even darker grey by mixing Ultramarine Blue and Burnt Sienna, with the tiniest touch of Alizarin Crimson. Stephanie also demonstrated using square brushes, something I haven’t done before with watercolour.
Here are some sketches from my current ‘handbag’ sketchbook. I am trying to use up one of the myriad sketchbooks that seem to spontaneously generate in my spare room. This book isn’t too good with wet media so I mainly try and sketch in pencil. The pencils I am using are a Palomino Blackwing 530 and my el cheapo multicolour pencil I got in Japan at Sekkaido.
In rough date order …
Trying to get some more interesting perspectives into these ‘regular’ events.
Sketching graffiti from a roof top carpark.
This is a work in progress. I do a bit more every time I stop here to collect the mail.
Again, trying to enliven a cafe sketch. It gets very busy at our local cafe on Saturday morning. There are lots of parents and kids relaxing after the kids football matches.
It only took one look to decide what the subject of this week’s drawing would be. Strong light was delineating the rather dashing hat being worn by a man at a nearby table.
Magic pencils and white pencil on toned tan Strathmore paper
The light also cast a dramatic diagonal across his face.
I’ve just finished working my way through my Strathmore Toned-Grey sketchbook, some 50 pages, most of which both back and front have been drawn on with coloured pencils. I’ve used coloured pencils since childhood, but as an adult I’m discovering these materials anew.
Unlike watercolours it’s hard to satisfactorily mix new colours using pencils. I wished I had a range of more subtle colours on many occasions. So my recent pencil buys have been of greys and neutrals, colours which are not strongly represented in the pencil box.
From left to right are: Green Ochre, Sandbar Brown, Slate Grey, 50% Cool Grey, 30% Cool Grey and 20% Cool Grey. On the right hand side of the pictures are the Sky Blue Light and White which I’ve been using for some time, but which fit also into this colour range.
New pencils, ohh goody!
I’ve drawn them onto Strathmore Toned Tan paper below. I had started using them in my previous sketchbook but I don’t have any spare pages to show them on the Toned Grey paper.
I already find these colours incredibly useful additions to my palette. Having now swapped to the Toned Tan sketchbook I’ll be interested to see how they go on the warmer background.
test colours on toned-tan paper, greys and neutrals
And just because I can , I’ve forced myself to buy even more watercolours that I’ve seen written about by several artists whose work inspires me. All the colours are from the Daniel Smith company.
These paints have been tried out on watercolour paper with a medium tooth. I love the granulation of the Lunar Black and I think the Buff Titanium is the sort of colour I’ve been after for some time. The Perylene green is for my partner who was after something dark for shadows in vegetation and the Mayan Blue is just because I like it.
Testing new watercolours
Same name but different location. Our local cafe has contracts for coffee shops at the university. Today, as we were in the area, we decided to try one of these venues.
It was a completely different atmosphere and demographic from our nearby place, which is a ‘hole in the wall’ with a few outdoor tables. This other version was crammed full of students, with obligatory laptops, in the still under construction, College of Business and Economics. It is a lively scene that I plan to go back to again.
Biginelli’s @ the College of Business and Economics, the Australian National University, 11 My 2016, Koh-i-Noor magic pencil white chalk and gel pen
Some recent sketches using coloured pencil and my new toned tan Strathmore sketchbook.
In the coffee shop Saturday morning, coloured pencil on toned tan paper
Today’s effort from the window of the National Gallery of Australia’ cafe window. This section of the garden has recently been cleaned out and re-planted with grass trees.
Garden at the National Gallery of Australia, coloured pencil on toned tan paper, 9 May 2016
I’m trying not to resort to ‘colouring in’, hence the vigorous strokes, which I’m enjoying making.
One more from the archive, a sketch in my toned-grey book, a spool of twine at a building site.
A spool of builders twine, coloured pencil on toned grey paper, 11 April 2016.