On a recent sortie I found a number of sketches done on the back of parking tickets from my car. You can tell by the dates on some of these sketches that I don’t clear out the glove box of my car often enough.
When I checked back through my posts I found that I had last shared similar sketches in 2014, here and here.
Some sketches done from my car in 2014, 2015 and 2016. Also a ring-in from 2019 as I couldn’t fit them all on the next page.
I must say that with the passing of time I did struggle to work out which way was up for some of them. I think I have it pretty right. Once I thought back to the places where I was likely to be waiting in the car most of them made sense.
Mainly practice drawing buildings and architectural details. I quite like the abstraction of some of them.
DESIGN Canberra Festival is currently on and our local chapter of Urban Sketchers has been actively partcipating for the first time.
We ran a Drop in and Draw session in Civic Square on Thursday and a Sunday sketching event at Callam Offices on the weekend.
Our first event was marred by strong winds. I found this out the hard way when I got slapped with a big spray of water from the fountain I was sitting next to.
Some of the brave few that turned out to sketch.
The University of Canberra’s temporary architectural installation in Civic Square.
The statue of Ethos, by Tom Bass, at the entrance to the ACT Assembly building, with fountain (notice the water splotch in the dark grey section of the paint).
Sunday was marginally better weather wise. Callam Offices looks like a futuristic space module dropped into the Woden Town centre.
It was designed, amongst other things to demonstrate construction to survive potential floods. Hence it is set above the ground suspended around a series of concrete cores.
Designed by architect John Andrews and built in the late 1970’s these buildings are currently used as local government offices. It was originally intended that 26 modules be built, but only 3 were completed. Sadly one of Andrew’s other major Brutalist buildings in our city, the Cameron Offices has largely been demolished, which is pretty awful, but par for the course as far as our local lack of interest in heritage buildings goes.
My watercolour of one of the building cores.
Along with my main sketch I painted a detail of this ventilation outlet.
Tonight we are off to hear a conversation between the architect John Andrews and Tim Ross (a great promoter and documentor of Australia’s modernist heritage). I am really looking forward to hearing more about Andrews ‘ work.
It is always so easy to slip into the habit of drawing what you think you see, rather than drawing what you actually see.
This could be a correct perspective if I was sitting a good metre or so below this woman.
A perfectly reasonable sketch except when I came to add other people in I realised that they would, if drawn in correct perspective, be scraping the roof of this alley way of shops. The rule of thumb is all heads of people, near and far in a sketch, should be on the same level unless you are sitting way above or below you subject.
This is the second version of my sketch this morning after I realised the woman’s head was below the jars of honey, not above them.
Sitting at the same level as this woman this is the correct perspective as she is sitting at the same eye line as me.
Side by side.