I decided to clear out my car sketches a bit more frequently. They are mainly in ballpoint pen, but recently I found a wonderful 9B pencil lurking in the glove box. It’s now my favourite.
On a recent sortie I found a number of sketches done on the back of parking tickets from my car. You can tell by the dates on some of these sketches that I don’t clear out the glove box of my car often enough.
I must say that with the passing of time I did struggle to work out which way was up for some of them. I think I have it pretty right. Once I thought back to the places where I was likely to be waiting in the car most of them made sense.
Two quick sketches of Matthew Evans, TV presenter and author, who was speaking last night at the National Library of Australia on his latest book On Eating Meat.
Pencil sketches were made during the event and watercolours were added when we got home.
This week we had a two hour window to see one exhibition in Sydney, before we had to catch our bus back to Canberra. So Brett Whiteley ‘Drawing is Everything’ was the unanimous choice.
Arriving early, before the gallery opened, I took the opportunity to sketch Gilbert Bayes PBRS sculpture ‘The Offerings of Peace’ (1923), from across the road. In honour, no doubt of my artistic endeavours, I was duly shat upon by Pied Currawong sitting in the tree overhead.
On entering the gallery we were immediately caught up in the vitality of Whiteley’s works, predominantly made with pen and ink and brush an ink. It was fascinating to see how Whiteley intensely studied the works of Van Gogh, Lloyd Rees and other artists as he developed his own style.
The gallery was encouraging visitors to draw while visiting the show, providing pencils and a small A4 folded piece of paper.
Luckily I also had my own paper as there were several other sketches I wanted to make.
It was intriguing to see how Whitely playfully amalgamated and created images, such as the following sketch of Matisse, putatively sitting in the Luxembourg Gardens, reading a newspaper.
Much as I enjoyed sketching in the gallery, the relative stiffness of the pencil sketches, compared to the brush works in particular, was underlined by a quote by Whiteley “Have you ever seen a pencil drawing that isn’t safe?” (p9, Brett Whiteley Drawings, Lou Klepac, The Beagle Press, Sydney, 2014)
Brett Whiteley: Drawing is Everything
Art Gallery of New South Wales, on until 31 March 2019
The National Portrait Gallery of Australia, held it’s regular drawing session on Boxing Day which gave us a good excuse to get out of the house. We were pleasantly surprised to run into several other members of our Urban Sketchers Canberra group who also had the same idea.
I wasn’t overwhelmed by my sketch of the group ‘Humbug’, who were the musicians playing that day. Lots of mistakes and abandoned as the group stopped playing part way through my sketch.
I was much happier with my second lot of sketches where I ditched the pencils and leapt in with the watercolour. It was easier to sketch the onlookers who tended not to move so much.
Here are some more sketches from my current cafe sketching booklet. I am currently putting in some more backgrounds rather than letting my people float on the blank page. Some work better than others.
I had quite some trouble sketching this morning as everyone I started to sketch got up and left. The foreground figure is a composite of several people. Thankfully the guy in the background hung around for two cups of coffee.