Teaching at the underpass

This year I have twice taught introductory classes on urban sketching for our local Community Arts Centre. We have been sketching at a local shopping centre focusing on sketching the underpass and the toilet block.

I have actually become quite fond of sketching this underpass.

Strange subjects for sketches I know, however they are simple enough shapes to practice proportional measuring and drawing for people with limited sketching experience. I want to help people experience the satisfaction of making a ‘good’ drawing; good enough to encourage them to keep on trying.

I won’t go into the details of what this all means, suffice to say that getting the relative proportions relatively correct means a much more satisfactory outcome to the drawing.

Above is a quick sketch where I’ve demonstrated how to use a pencil to measure the proportions of the underpass.

Demonstrating the results of making light and dark shades with watercolour pencils. The challenge is encouraging people to use a wider tonal range, particularly strong darks, which if nothing else save the sketch from death by mid-tone values.

Secondly some suggestions on how to use watercolor pencils. Then a small drawing demonstrating how you can emphasize the background, rather than focus on a tree in the foreground of your main subject.

A small sketch using ‘negative space, to make a tree trunk pop out from the over pass railings behind it.

And finally my piece de resistance a sketch completed upside down. This sketch shows the relative values of the underpass and how to include the two trees in front of it, without them detracting from the main subject.

All my best ideas are nicked from other sketchers. This one is no exception. Alvin Wong, an urban sketcher from Hong Kong, once explained that one of the most useful skills he learned in his early days as an architect was how to draw and write upside down, while delivering presentations to clients. Not only does it impress the socks off people, but in this case I could demonstrate the ideas I was trying to share so the sketcher could easily follow my drawing.

Not bad for my first upside down drawing.

Return of the rear view mirror

On a recent sortie I found a number of sketches done on the back of parking tickets from my car. You can tell by the dates on some of these sketches that I don’t clear out the glove box of my car often enough.

When I checked back through my posts I found that I had last shared similar sketches in 2014, here and here.

Some sketches done from my car in 2014, 2015 and 2016. Also a ring-in from 2019 as I couldn’t fit them all on the next page.

I must say that with the passing of time I did struggle to work out which way was up for some of them. I think I have it pretty right. Once I thought back to the places where I was likely to be waiting in the car most of them made sense.

Mainly practice drawing buildings and architectural details. I quite like the abstraction of some of them.

Matthew Evans at the National Library of Australia

Two quick sketches of Matthew Evans, TV presenter and author, who was speaking last night at the National Library of Australia on his latest book On Eating Meat.

Matthew in conversation with Karen Hardy from the Canberra Times

Matthew is as eloquent with his hands as he is with words.

Pencil sketches were made during the event and watercolours were added when we got home.

Blown away

It was very sneaky of the organisers of the Dobell drawing prize to tell me that I got a mention in this review, but not let on what that mention was.

All good!

The full review of the show by Tracy Clement can be read in the May/June print edition of Art Guide Australia or it can be read online here. The installation photo was taken by Peter Morgan, the in-house photographer at the National Art School in Sydney.

Drawing waves

I saw some drawings on Instagram made by a friend @richardbriggs_artist , of the movement of a car over a bumpy road in Bolivia. It prompted me to pull out my own drawings made just over a year ago recording waves lapping my feet on a rising and a falling tide on the south coast of New South Wales.

I steadily drew a line back and forth across the page and if a wave washed over my feet I drew it as a peak, for the duration of it’s ebb and flow.

Falling tide, 10.30 am to 11.05 am, 13 March 2018, ink on recycled ledger

Rising tide, 3.49pm to 4.19 pm, 15 March 2018, ink on recycled ledger

This is a continuous line drawing at the same location.

Glacial erratics on the rock platform between Depot and Pebbly Beach, 13 March 2018

PS lest you think that I am even more of a tide nerd than I am, the details on the page were copied from a tide guide at the Ranger station at our campground.