Pure form: Japanese sculptural ceramics*, is a new exhibition at the Art Gallery of South Australia showcasing Japanese ceramics from the 1950s to the present day.
The exhibition spreads across several rooms and is breathtaking in it’s array of forms, textures and graphic presence. I had only a limited time to draw in the gallery today. The hardest thing was to decide what to sketch first.
I started with a darkly glazed vessel by Mihara Ken, whose concertina-shaped folds reminded me of Issey Miyake garments.
collection of Raphy Star. Sketch, graphite on paper.
Next to the work of Mihara Ken was a form by Misaki Mitsukuni. The surface, which I was unable to do justice to, is created by the artist rubbing slip into the surface, which he has described as ‘Rothkoing’.
Turning my chair I could see another work by Mihara Ken, a form that appeared as if folded out of sheets of clay. The glazes were very subtle blue greys and deep brown.
National Gallery of Australia. Sketch graphite on paper.
Finaly, I did a very quick sketch, part contour drawing, of Kaneshige Kosuke’s work, Tall sculptural form, c. 2006.
collection of Raphy Star. Sketch, graphite on paper.
*Pure form: Japanese sculptural ceramics is accompanied by an extensive catalogue (which I will be looking at for quite some time).
The exhibition and book are by Russell Kelty, Curator of Asian Art, Art Gallery of South Australia.
The exhibition runs until 6 November 2022 at the Art Gallery of South Australia. Get there if you want to see some amazing ceramics!
leonieandrews 