I will just share some photos as I haven’t reached any conclusions about the year. I’ve made work, communed with like-minded friends both online and in person around the world. Thank you all for being open and sharing your year with me as well.
Tag / stitching
You often hear writers talking about how characters in their novels develop a life of their own during the writing process. That I can understand. What has surprised me is that a piece of cloth I am currently stitching is exhibiting the same tendency.
After my exhibition in September 2020, I remembered some advice from a fellow artist, that to lessen the post-exhibition low he always painted a yellow painting. Good I thought, I have an old yellow microfibre cloth I can stitch on.
I had visions of all the shades of yellow blending harmoniously together …. the cloth had other ideas.
I learned quickly that this faded and pre-loved cloth had an amazing ability to absorb almost all varieties of yellow. It could suck in sunshine yellow, daisy yellow, and some tones disappeared into it’s surface completely. Apart from contrasting threads, the only thread to boldly resist this challenging cloth is an equally recalcitrant hi-vis yellow stranded thread I bought on a whim some months ago.
20 JANUARY 2021 – Still a work in progress. My post-exhibition piece started last year, de-railed by Christmas and other projects. So much stitching even in a piece 39 x 39 cm. And the back, more gloriously feral than ever, when I realised that the hi-vis threads were too slippery to stay firmly attached without additional stitching. So lots of ripping back and re-sewing.
8 FEBRUARY 2021 – At last the end has been reached! The final lines of hi-vis yellow are in and I even stitched my name onto it. Resistant to the last it has developed a belly in the middle and refuses to sit flat.
Various salvaged, donated and bought embroidery threads on found microfibre cloth.
It was very sneaky of the organisers of the Dobell drawing prize to tell me that I got a mention in this review, but not let on what that mention was.
The full review of the show by Tracy Clement can be read in the May/June print edition of Art Guide Australia or it can be read online here. The installation photo was taken by Peter Morgan, the in-house photographer at the National Art School in Sydney.
Opening Stitches Project
In 2019 I am starting a new project called Opening Stitches. In this project I ask people to provide a square of cloth with one or two sets of ‘opening stitches’ on it. I will then take the cloth and continue stitching in response to the stitches provided to me.
I plan to combine the collected pieces into one or more works that may be exhibited in future. All participants will be credited for their work (unless you wish to have your name withheld).
You can follow my progress on Instagram @leonieandrewsart
If you are interested in participating please contact me for mailing details.
I have been exploring some colour options for works to be included in my solo exhibition scheduled for September this year. Most of the work has been in subdued colours, but this piece calls for a bolder approach.