Blown away

It was very sneaky of the organisers of the Dobell drawing prize to tell me that I got a mention in this review, but not let on what that mention was.

All good!

The full review of the show by Tracy Clement can be read in the May/June print edition of Art Guide Australia or it can be read online here. The installation photo was taken by Peter Morgan, the in-house photographer at the National Art School in Sydney.

Oops, I forgot to mention the Dobell Drawing Prize!

At the Dobell Drawing Prize announcement with my work ‘365 Days’

Looking back on my blog I just realised that I hadn’t posted about the Dobell Drawing Prize 2019, which includes my work ‘365 Days’. Spoiler alert – I didn’t win the $30,000.

The big announcement was made two weeks ago, at the end of March and I went up to Sydney for the event. I always find openings and suchlike quite intense experiences and this show, being the most prestigious I have been selected into was no exception.

The 2019 prize panel called for, among other things, drawings in non-traditional media. This resulted in a wide display of techniques and materials across the 58 finalists. It appeared to me that this was a key element of the selection criteria where the public might have been a bit better informed. There was lots of “but how is this drawing” remarks floating around in the gallery on the night. I certainly had that asked about my work and Justine Varga’s winning work using paint into wet photographic medium also copped a lot of the same.

Justine Vargas winning work, ‘Photogenic Drawing’

I think the gallery might have also increased the understanding of the works by including the artist’s statements in the wall text. I doubt that anyone would realise that my work was made over the course of a year, just by looking at it. When I did look at works with the catalogue in my hand l really came to appreciate a many works that had previously appeared quite difficult to grasp.

With such a broad range of styles on display it must have been a challenge for judge Ben Quilty to make a final choice. There is both seriousness and fun in this show. Chris Doherty (aka Reg Mombassa) certainly got my prize for the best use of glitter in a drawing.

Chris O’Doherty, ‘Robot Priest with captured Australian’

There were also a number of exquisite pencil drawings and this wonderful landscape by Western Australian artist Sonia Kurarra.

Sonia Our area, ‘Martuwarra’

The Dobell Drawing Prize exhibition is being held at the National Art School in Darlinghurst, Sydney and will run until 25 May 2019.

PS My work is featured on the inside back cover of the catalogue!

The Dobell Drawing Prize 2019

I’m thrilled to share the news with you that my work ‘365 Days’ is one of 58 finalists in the Dobell Drawing Prize 2019. The Prize showcases the expanded field of drawing, celebrating innovation, technical skills and diverse media.

The National Art School in association with the Sir William Dobell Art Foundation will present the Dobell Drawing Prize on 28 March 2019.

Over the course of 2017, I used a simple set of rules to generate a work where my hands and my memory made marks, without the intervention of my sight. The rules were stitch daily and stitch with my eyes closed. The year’s marks read as a map of my mind and hands finding their way across a bounded space.

The judges, Michelle Belgiorno, Simon Cooper and Ben Quilty, said of the submissions:

“We were amazed not only by the number of entries, but by their quality and sheer variety of approaches to drawing. It’s clear that today’s artists explore drawing’s full range of possibilities – from sculptural, performative and digital drawings, to extremely skilful works using classic materials such as charcoal and ink. We’re thrilled to see such technical talent and innovation reflected in this year’s shortlist.”

The exhibition of finalist’s works, will be held at the National Art School, running from 28 March – 25 May 2019

National Art School | Forbes St, Darlinghurst NSW