When is a texture a pattern and vice versa? In my latest gelli printing video I play around with printing textures onto cloth. I spent a lot of time mucking around with a piece of ratty old hessian I found in our garden shed, which only goes to show that it doesn’t take a lot to amuse an artist.
Here is the short promo I did for the longer video.
I am at the end of a very brief encounter with Ikara-Flinders Range National Park and I would desperately love to be giving it more attention.
We have just spent the second of two full days staying at Wilpena Pound. Tomorrow we leave. The weather has been vile. Cold, rainy and blowing a gale. But, but, but … it’s breathtaking.
We have sketched from our car, all of the first day and some of our second day. But my biggest frustration with this experience is finding my own voice because I seem to be painting other people’s paintings.
Australians will have some familiarity with the work of watercolourist Albert Namatjira and possibly with photographer Harold Casneaux, whose image ‘Spirit of Endurance‘, was made only a short distance from where we are staying.
So when I start painting I see Namatjira’s work floating in front of me. It’s a challenge to paint with that over your head. However, the more I thought about it I realised that I should learn from those artists, before I worry about my own style.