When is a texture a pattern and vice versa? In my latest gelli printing video I play around with printing textures onto cloth. I spent a lot of time mucking around with a piece of ratty old hessian I found in our garden shed, which only goes to show that it doesn’t take a lot to amuse an artist.
Fun with hessian!
Here is the short promo I did for the longer video.
I have been doing a lot of gelli printing lately – that’s using acrylic paints on a gel plate – a type of monoprinting. During our most recent lockdown it’s kept me happily away from the street. I have been working on printing onto fabric which is a bit different to printing on paper.
Some of the various paints I use for printing.
I trained in screen printing at art school which is similar, but not quite the same as gelli printing. While I find gelli printing has some limitations, it also has many pluses. I like that it’s so simple to set up and print and I certainly don’t mind not having to transfer images to my screen (a multi-step process which was my least favourite part of printing).
I am also using up a whole stack of acrylic paints, some better than others. By also using a textile base (a clear paste) with the acrylic paints, these paints are easier to use on fabric and give the fabric a better “hand” that is make it more flexible and feel better after printing.
The ‘studio’ at the end of my kitchen. Inking up my plate with my rag for excess paint on the side.
I am focused on using the simplest of marks and materials for my prints. Most of my fabric is upcycled from clothes or old bed sheets.
I am really happy about the colour combinations I am achieving in my prints, particularly when I make simple two colour prints.
Some of my recent two colour prints.
In addition to all this printing I also decided to revive my, somewhat moribund YouTube channel by uploading some introductory videos on printing on fabric with a gelli plate. You can find my channel here.
leonieandrews 