August 5, 2016 by Leonie Andrews

Goulburn sketches

We took a quick trip up the road today to Goulburn, one of the oldest cities in New South Wales. As always we were attracted by the various period buildings throughout the city. This visit we allowed enough time to make a number of sketches.

While waiting for my lunch I quickly sketched one of the commercial premises on the main street. I found the combination of dark and light patterns a perfect subject for playing with my fountain pen.

Auburn St shop, pen and ink

After lunch we shifted down to the railway lines to paint, not the attractively restored station, but rather one of the storage buildings further along the track.

Railway shed, watercolour, 5 August 2016

Our final stop was back in Belmore Park, in the centre of the city where we decided to make a quick sketch of the Victorian era Court House. I swapped styles yet again to try out my black and white and a punch of colour technique. I was pretty pleased with the outcome except for one thing – I left out a whole section of the upper level of the building – oops.

Not quite the Goulburn Courthouse, watercolour, pen and ink, 5 August 2016

There was nothing for it but to have another go.

The dome of the Goulburn Court House with the missing bits added in, watercolour, pen and ink, 5 August 2016

One of the things I realised when I looked even more closely is that the top Image result for queen victoria canada of the dome is quite literally crowned with a copy of Queen Victoria’s imperial and state crown that featured in the print of the Queen, a copy of which graced my grandparent’s home. Our day of sketching ended somewhat abruptly when a bus load of school boys arrived and quite literally parked out the view and raised the decibel level in the park quite dramatically.

For these sketches I got to try out my Stillman and Birn Gamma series Vellum Suface sketchbook, (150gsm).

July 2, 2016July 2, 2016 by Leonie Andrews

Zebras on the sketchbook savannah

Like many others I have signed up for World Watercolor Month in July, where contributors are asked to complete one watercolour a day. Of course I had to make things more challenging only because I saw someone else’s concertina book at about the same time as I decided to participate. Excellent!

I retrieved some very ‘mature’ paper, that I had in my back room purchased in Tokyo 10 years ago. Definitely time to get it into use. A quick trot through our local recycling centre on the first of the month brought it all together. There I found a hard-cover book of photographs of the Etosha Pan by Alice Mertens (1915-2001). I loved the way the herd of zebras crossed the back and front covers of the book, so I decided to use them for my book’s covers. The predominantly black and white photos inside were so compelling that I will include them in my book as well.

Two sketches and the back cover of my new book.

So be warned, zebras crossing.

May 11, 2016May 31, 2016 by Leonie Andrews

Try again

It’s often a struggle to get the drawing you see out of your head and onto the page. Several weeks ago I had one of those days. We drove out to the country looking for a sketching spot and found a promising site down by the river.

As I looked up from the river bank I could see one of my favourite local shearing sheds higher up the hill. This is built in corrugated iron which has developed a lovely patina over the years. Behind it was a hill and the whole scene was enclosed below that skyline.

Shearing shed, watercolour

I did make some quick pencil sketches before I started, but even so I struggled to get the proportions of the shed to the skyline accurately represented. I had taken along my watercolours to use for the first time in ages. I tried, but I had forgotten ‘in my hands’ how to use the paint. So I was unhappy with my result.

Then I had another thought, to work back over one of my original thumbnails with the pencils I also took along. There was no pressure to get it ‘right’ I allowed myself to play with non-realistic colour and the drawing flowed!

Colour pencil over the top of one of my original sketches

May 11, 2016 by Leonie Andrews

Shades of grey

I’ve just finished working my way through my Strathmore Toned-Grey sketchbook, some 50 pages, most of which both back and front have been drawn on with coloured pencils. I’ve used coloured pencils since childhood, but as an adult I’m discovering these materials anew.

Unlike watercolours it’s hard to satisfactorily mix new colours using pencils. I wished I had a range of more subtle colours on many occasions. So my recent pencil buys have been of greys and neutrals, colours which are not strongly represented in the pencil box.

From left to right are: Green Ochre, Sandbar Brown, Slate Grey, 50% Cool Grey, 30% Cool Grey and 20% Cool Grey. On the right hand side of the pictures are the Sky Blue Light and White which I’ve been using for some time, but which fit also into this colour range.

New pencils, ohh goody!

I’ve drawn them onto Strathmore Toned Tan paper below. I had started using them in my previous sketchbook but I don’t have any spare pages to show them on the Toned Grey paper.

I already find these colours incredibly useful additions to my palette. Having now swapped to the Toned Tan sketchbook I’ll be interested to see how they go on the warmer background.

test colours on toned-tan paper, greys and neutrals

And just because I can , I’ve forced myself to buy even more watercolours that I’ve seen written about by several artists whose work inspires me. All the colours are from the Daniel Smith company.

These paints have been tried out on watercolour paper with a medium tooth. I love the granulation of the Lunar Black and I think the Buff Titanium is the sort of colour I’ve been after for some time. The Perylene green is for my partner who was after something dark for shadows in vegetation and the Mayan Blue is just because I like it.

Testing new watercolours

March 14, 2016March 14, 2016 by Leonie Andrews

Coloured Cats

In my quest to explore some possible new directions in my art I’ve been taking an online class called ‘Stretching’ with the Sketchbook Skool group (and yes they do know how to spell school). Each week a different artist shows you their work, what materials they use and encourages you to try different approaches to making art. As I am still convalescing this is a great opportunity to put aside ‘work’ for the time being and try something new.

Our cat Georgina, pen and ink and watercolour, 9 March 2016

So far I’ve really taken to a technique proposed by the ‘mobile illustrator’ Lapin, a French artist who lives in Barcelona. In his exercise he suggests that you draw a portrait where the head of the person (or in this case my cat) dominates the page and the rest of the body is squeezed into the remaining space by whatever means possible. Distortion is encouraged! One other thing, he prefers to make these drawings using a limited palette of pen and ink and three watercolours, Yellow Ochre, Prussian Blue and Alizarin Crimson. You can blend the colours or use them as they come. In this first drawing I used French Ultramarine instead of Prussian blue and I did add lemon yellow for her eyes.

I really liked the result I got so the next evening I had another go. This time I did use Prussian Blue, but I find it a bit of a thug in the watercolour palette so my preference is to stick to French Ultramarine.

Georgina, 10 march 2016, pen and ink and watercolour

This is my favourite portrait so far. It has captured the serious side of our cat. I would also emphasise that these portraits are not intended to be cariacatures, but are meant to draw the viewers attention to the face.

My final sketch did end up looking rather more comical thanI intended. I didn’t get the proportion of the head quite right so this does have a cartoonish feel about it. Of course my cat does have a lighter side anyway.

Georgina, 11 March 2016, pen and ink and watercolour

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Tag / watercolour