Matisse-Picasso mini zine

(Warning, long post with lots of photos)

In the ‘excitement’ of the terrible hail storm yesterday while we were at the National Gallery of Australia I forgot completely about my mini Matisse-Picasso zine.

For non-locals, our weeks of smoke filled skies were cleared by a tremendously damaging hail storm yesterday. Here is a video of what the rain sounded like as we walked around inside the National Gallery of Australia. I was too stunned to get my video happening to record the sound of the hail striking the roof, suffice to say it sounded like the sky was throwing boulders.

The paintings are by Hugh Ramsay an extremely talented, Scottish born Australian artist who died in 1906 from tuberculosis at age 28.

The road and forecourt of the National Gallery of Australia covered in hail the size of golf balls.

Anyway, we originally went to the gallery to make our second visit to the Matisse-Picasso exhibition. While waiting to go in I sat down at the art workshop space just outside the entrance to the exhibition and started making a little collage with the idea of using it to draw on. It then occurred to me that I could make a book out of it. I did this with the help of a short video on how to fold a piece of paper into a book (ah the benefits of the gallery free wi-fi).

This is the closest photo I have of the way the paper looked before turning it into the mini book. This is the reverse side where the painting names and dates are listed.

One of the advantages of making such a small book (5 cm x 7.5 cm or 2 x 3inches), is that all the sketches had to be small and fairly simple. This is the little book as it was at the gallery, (we are pencil only in the gallery).

Picasso, Head of a Boy, 1906: Matisse, Meditation (Portrait of Laurette), c.1916

Picasso, Woman with Tambourine, 1936.

Picasso, Still Life with Pitcher and Apples, 1919: Matisse, The Plaster Torso, 1919.

The front and back of my little zine. Matisse, The Abduction of Europa, 1929: Matisse, Nono Lebasque, 1909.

For better or worse I added colour to the zine when I got home.

I had a great time making this little zine, indeed it’s small size encouraged me to just have fun with the process. I did do some slightly larger sketches in another book, but I think this might become quite addictive.

PS the video that I used to make the book can be found here.

One more parting photo. This is the road outside the gallery strewn with shredded foliage. It looks sort of sylvan, but for knowing how damaged the trees were.

Bound shadows

My collection of Loungeroom Residency photos is now flatter and comes with it’s own shadows!

Shadows from shadows, my newly bound photos

My inner ‘neat person’ (who knew I had such a thing) tried to tell me to cut off those wavy edges of paper. I told her to b*gger off.

It has also found a safe home in a box I recently received, which will now be re-purposed into a book case. Peeking through in this photo is a word from my very basic book ends – a recycled postcard glued on either end.

Zebras on the sketchbook savannah

Like many others I have signed up for World Watercolor Month in July, where contributors are asked to complete one watercolour a day. Of course I had to make things more challenging only because I saw someone else’s concertina book at about the same time as I decided to participate. Excellent! 

I retrieved some very ‘mature’ paper, that I had in my back room purchased in Tokyo 10 years ago. Definitely time to get it into use. A quick trot through our local recycling centre on the first of the month brought it all together.  There I found a hard-cover book of photographs of the Etosha Pan by Alice Mertens (1915-2001). I loved the way the herd of zebras crossed the back and front covers of the book, so I decided to use them for my book’s covers. The  predominantly black and white photos inside were so compelling that I will include them in my book as well.  

Two sketches and the back cover of my new book. 

So be warned, zebras crossing.