The last main stop on our travels around the Netherlands was Eindhoven. It was rather different to other cities we visited. It seemed quite quiet, possibly because it was university holidays.
While I am probably the least car fanatical person around I was encouraged by positive comments from other non-car people to visit the DAF Museum. There certainly was lots to see and even I have to admit that there were lots of interesting older cars to sketch. The cutest car of the lot, a 3-wheeler nick-named ‘the portable raincoat’, was right in the entrance foyer, but there was no suitable place to sit and sketch. So I settled on sketching this 1963 sedan the Daffodil.
The 1963 Daffodil, DAF Museum Eindhoven.
One of the contemporary architectural highlights in the city is ‘The Blob’ designed by Italian architect Massimiliano Fuksas. This building is a commercial space and is close to two other related buildings which provide access to bicycle paking. I must say it was a real b**ger to draw. I gave up on trying to draw the whole thing and focused on one end where the glazing makes it look like a partially deflated rugby ball.
One end of The Blob, a commercial space in the centre of Eindhoven.
On a more traditional note is Sint Catharina in the city centre. Despite its Gothic look it was designed by Petrus (Pierre) Cupyers and built between 1859-67. It replaced an earlier derelict medieval church on the same site. Cupyers was definitely going for the over-the-top neo-gothic style, influenced by 13th century French Gothic churches. The two towers are different from each other. The slender Ivory tower symbolising the purity of the Virgin Mary and the chunkier one representing the strength of King David. Whatever. It made for two interesting elements to paint.
The Virgin’s tower on the left and King David’s tower on the right. Sint Catharina Eindhoven
The last thing I sketched in Eindhoven was what I could see from where we were having dinner. Looking at a tower block which was catching the evening sun I tried to use some techniques I had learnt at Symposium. I focused on sketching what I was interested in, not using ‘local’ colour and working using warm and cool colours to highlight the buildings.
Final sketch of Eindhoven. A pleasant street view with a cyclist turning up at the right moment.
Clouds building up, watercolour, 22 April 2019
Three paintings of gum trees at the Gibraltar Falls picnic area, Easter Monday.
Three young trees, watercolour.
The National Portrait Gallery of Australia, held it’s regular drawing session on Boxing Day which gave us a good excuse to get out of the house. We were pleasantly surprised to run into several other members of our Urban Sketchers Canberra group who also had the same idea.
I wasn’t overwhelmed by my sketch of the group ‘Humbug’, who were the musicians playing that day. Lots of mistakes and abandoned as the group stopped playing part way through my sketch.
I was much happier with my second lot of sketches where I ditched the pencils and leapt in with the watercolour. It was easier to sketch the onlookers who tended not to move so much.
I thought I had better sketch my Christmas flowers before they were past their best. They are Christmas Bush (Ceratopetalum gummiferum) and Red Flowering gum (Corymbia ficifolia). The flowering gum is allready dropping it’s stamens at an alarming, though beautiful, rate.
Relaxing and sketching on Boxing Day.
Before the lunchtime devastation!
I had quite some trouble sketching this morning as everyone I started to sketch got up and left. The foreground figure is a composite of several people. Thankfully the guy in the background hung around for two cups of coffee.
I realised that I have a stack of sketches from my travels that I haven’t shared on my blog. My street sketches in Madrid came to a grand total of two. Mainly we spent most of our time in the museums, I will be sharing some sketching from of those visits in other posts.
Early evening, Calle de Zurita, Madrid, watercolour and pencil.
We painted in the Calle de Zurita the night of the first World Cup game between Spain and Portugal. Needless to say there were loud cheers and groans coming from the nearby bars. After sketching we went and joined the locals to watch the rest of the match.
My second sketch was of a building that I thought had an interesting roofline and I also liked the way the date palm appeared out of the courtyard. I was sketching, perched on a security block next to a bus-stop. An older couple stopped to explain that I was drawing the back end of the Cardinal’s Palace. They also mentioned that a famous painter was born there. When I walked up to look at the historic marker I could see that the artist was Claudio Coello, appointed to the court of Carlos II. Coello was born at the in 1642. I have no idea why he was born in the Cardinal’s Palace, but his dad was a sculptor so maybe he was working there at the time – this is purely speculation on my part.
The Cardinal’s Palace Madrid, from the Place Puerto de Cerrada, pencil and watercolour.
The Cardinal’s Palace, the plain end, watercolour and pencil.
We continue to head down the coast for our weekly swim while the weather and the east-coast current are warm. We have a decent sized beach shelter so between bouts of swimming and boogie-boarding we can sit comfortably inside out of the sun and sketch.
Like a life-drawing class the length of the poses changes. Some people stand still for some time looking out to sea,
others, bend or lift a board so quickly that the stance lasts only for seconds.
I am often surprised at the variety of subjects matter that present themselves.
If there is one thing I need to remind myself, it’s that I need to bring bigger sheets of paper with me to capture all the action.