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Posts by Leonie Andrews

I am an artist of the landscape of common objects. Discarded items and suburban life fuel my art practice.

Canberra Sketchers at Hotel Hotel

We decided not to repeat last month’s Canberra Sketchers Group outdoor meeting and opted instead for the warmth of Canberra’s hippest accommodation Hotel Hotel. It was hip and happening and we were there.

We set up at the Monster Kitchen and Bar and managed to drink lots of tea and coffee and scoff plenty of tasty cakes and biscuits and didn’t even dip our paint brushes in the wrong glass once!

Watercolours amongst the coffees

Watercolours amongst the coffees

The building provided plenty of places to sit and observe and lots to look at as well.

I opted for an external view to the cold and foggy Canberra morning, not that that was deterring the cyclists who parked their bikes outside the window.

Looking out to the cold, watercolour, 5 July 2015

Looking out to the cold, watercolour, 5 July 2015

It was only after I returned to the main table that I realised there were light wells overhead which looked up into gardens, wow! I did a quick sketch but, per usual would like to go back and pick a slightly different place to capture this scene. It gives one of those illusions where you can’t quite work out if what you are seeing is approaching or receding.

Looking up, watercolour 5 July 2015

Looking up, watercolour 5 July 2015

In all our production was quite high – demonstrating the value of having several books ready to go so you could swap between them as paintings were drying.

Some of the mornings output, Canberra Sketchers Group, 5 July 2015

Some of the mornings output, Canberra Sketchers Group, 5 July 2015

Next time we are meeting at the National Museum of Australia, 10.30 am on Sunday 2 August.

In print, hooray!

I’ve known about it since this time last year, but to hold the real thing in my hand is something else completely. Yep, there’s now an article in the current issue of Craft Arts International about my work! The current issue being No 94, pps 105-107.

A quick peek at the article

A quick peek at the article

The article is written by Peter Haynes, a Canberra-based curator who I worked with in 2013. It focuses largely on work that was in my 2014 solo exhibition and also includes other works that have appeared in group shows over the last few years.

I hope you enjoy seeing the ‘other side’ of my work!

Dr Sketchy and the blue woman

Last week we went to our second Dr Sketchy event at the National Gallery. It seems odd that such an event takes place withing the formality of Gandel Hall, however everyone enjoys themselves, the burlesque is well done and the art making fun.

This time we had two male models which provided different body shapes and poses to come to terms with.

Three two minute poses, graphite, 2 July 2015

Three two minute poses, graphite, 2 July 2015

We worked up from two and five minute poses to longer poses at the end of the evening.

Two, five minute poses, graphite, 2 July 2015

Two, five minute poses, graphite, 2 July 2015

And then there was the blue woman. Two of the models were covered in body paint and despite the colour, or perhaps because of it, I found it much easier to come to grips with the shape of their bodies when I drew them. One of the women was painted blue (not Yves Klein blue I hasten to add) and wore a white wig. I really enjoyed drawing her.

Five minute pose, graphite, 2 July 2015

The Blue Woman, five minute pose, graphite, 2 July 2015

Per usual the gallery restriction on media meant I was limited in how I could respond to the colourful models. One of the other people at our table gave me some chalk pastels and pastel paper which allowed me to make a more colourful drawing.

The Blue Woman, chalk pastel, 2 July 2015

The Blue Woman, chalk pastel, 2 July 2015

I enjoy these evenings as I come away with a sense of having had a really good artistic workout.

Cafe Wednesday – another place

This Wednesday I had to go across town for an appointment so afterwards I had coffee at a different cafe, The Front in Lyneham. It a quirky place with retro furniture and a funky feel, well this is in the heart of university / inner urban Canberra.

I was blessed with a subject who was completely involved with reading the paper and a quirky window above him. The window, which was originally some sort of external fan or vent has been replaced by a sculptural arrangement of brass taps.

reading Man, pen and ink, 1 July 2015

Reading Man, pen and ink, 1 July 2015

(Personal) Treasures from the Australian War Memorial – Part 1

A friend recently told me about a jumper (pullover) she thought I might be interested in. It belonged to an Australian soldier who made it when he was a prisoner of war in Germany during the First World War. The jumper was made, very skillfully, of many strands of wool gathered from comfort packages. As I often work with re-cycled fabric and find signs of the history on a garment of great interest I decided to see what more I could find out about these items. Which led me to where I was a few days ago – standing with one of the curators from the Military Heraldry and Technology section of the Australian War Memorial (AWM) with two archive boxes in front of me.

It turns out that the AWM has a number of similar items in its collection. I located them through the Memorial’s online collection search facility. I had requested access to two items (the one my friend mentioned is currently on display in the First World War galleries), a hand-knitted jumper made by another WWI prisoner of war; and a Second World War pullover, which had been improvised by an Australian soldier held prisoner of the Japanese in Singapore, Burma and Thailand.

To do each item justice I will look at them in turn, starting with the First World War knitted pullover made by Lance Corporal Percy Augustus Burge, 14 Battalion AIF (Australian Imperial Forces). Lance Corporal Burge, who was 18 when he enlisted, was captured at Bullecourt after being wounded in the legs by a grenade and also sustaining a shrapnel wound to the kidneys. After a period in hospital being treated for his wounds he spent time in two POW camps. This garment was made from the wool from worn out socks and was knitted on needles made from wire.

 

Pullover knitted by Lance Corporal PA Burge, 14 Battalion AIF, in its archive box

Pullover knitted by Lance Corporal PA Burge, 14 Battalion AIF, in its archive box

As the curator pulled it out of its box it became clear that this is one of the most beautiful jumpers I have ever seen. The colours are amazing and even these photographs don’t do justice to how bright the colours appeared. The whole piece is worked in two strands of wool. It was like Lance Corporal Burge had knitted all the colours of a lichen-covered boulder into this one garment. The colours used include varying shades of grey, soft ochres, browns and rusty oranges, khakis and other greens. I counted 15 colour changes on the body of the jumper alone.

Cable and Broken Rib stitch from the front of the jumper.

Cable and Broken Rib stitch from the front of the jumper.

The jumper appears to be a classic gansey style with the body knitted in the round and gussets under the arms. There are several cable patterns on the body and the sleeves and another stitch which has been identified as blackberry stitch, but that a friend has been suggested is in fact a broken rib stitch. Looking at the two types of stitch online I’m inclined to agree that it is the reverse side of broken rib stitch, (an image of which can be seen here).

Ribbing on the lower front of the jumper

Ribbing on the lower front of the jumper

This is a beautifully knitted garment. Although there is no information that says whether Lance Corporal Burge could knit before he became a prisoner I suspect that he could. ****It turns out that I am wrong. Staff at the AWM have since checked the detailed information associated with this item and it said that Lance Corporal Burge didn’t knit prior to his internment.**** Whether he was an artist is any other part of his life I do not know but he certainly had the eyes of a natural colourist.

I took some photos of the jumper along to my hand-spinning group and we had a lively discussion about whether the wool was commercially produced and whether they would have been using synthetic or plant dyes for colouring. I can at least answer the first question as there were certainly woollen mills operating in Australia since the 19th century. Waverly Woollen Mills near Launceston, was founded in 1874 and in Sydney, the Vicars Woollen Mill moved to their Marrickville premises in 1893. Vicars also had the contract for supplying the National Military Training Scheme contract in the First World War. Looking at the grey wool that features throughout the jumper we wondered whether it was spun directly from a grey fleece rather than being a dyed yarn. We also wondered, given this garment was made from worn out socks and suchlike, whether there is a possibility that some of those yarns could have been made from handspun yarn. I don’t know.

I had a quick look at some of the other records held by the AWM and was interested to see that on being repatriated to England in 1918 Lance Corporal Burge’s condition was summarised as “Wounds healed. Feels well.”

Percy Augustus Burge lived until 1970.