Tag / Urban Sketchers

by Leonie Andrews

Kambah Woolshed collage

I was out with Urban Sketchers Canberra at the Kambah Woolshed, this past weekend, attempting to make a collage in a very stiff wind. 

Every collage brings new learnings – particularly when working in a representational style – compared to the more common free-form approach.

Kambah Woolshed

Working from the background to the foreground is the most practical way to start. Of course, I still trip myself up and have to re-glue or correct sections.

Having a clear picture of the tonal values is critical. Particularly when deciding on the background to the subject.

Sometimes, the tonal values don’t get completely nailed down until late in the process. The thin diagonal line on the roof on the right side was close to the last piece I added. This made so much difference to the roofline.

The collage and original subject

After looking at this piece when I got home my partner pointed out that one of the columns didn’t appear to be in correct perspective. He was right. I’d carried it through to the roofline when there was a section of planking that ran in front of it.

Here’s the final version.

The finished collage after one final tweak

I continue to be surprised that this process takes pretty much the same amount of time as my regular watercolour sketches do. I’m happy with the result.

by Leonie Andrews

Back at the Portrait Gallery

I know it’s only been a week, but I was back at the National Portrait Gallery again on Sunday for their monthly life drawing session, called Drawn In. The Gallery provides easels, boards, materials, paper, and pencils, but you can also take your own.

My book is watercolour paper, so I did my first sketch, a tonal study, with pencil, on the smoother side of my paper.

Trying to focus more on tone, than lines, although I used both

I decided to move into the Family Art room as it’s possible to use watercolour in there. It was certainly a different angle to sketch from. It was almost the reverse of the view that I did first.

The view from the Family Art Room

Lots of friends from the Urban Sketchers were also there, so we rounded off the afternoon with cups of tea and coffee in the cafe.

by Leonie Andrews

Urban Sketching at the Portrait Gallery

It’s been several months since I went out with the Urban Sketchers Canberra group. The weather, being as cold as it is, didn’t seem to promise a large turnout, but I was wrong about that.

36 people in the group photo.

I decided to do a composite sketch, showing various aspects of the Gallery,  starting with part of the building exterior.

The entrance to the Gallery

I then moved inside, collected a stool, and found a spot where I could see a cluster of other sketchers. I also decided to incorporate some quick sketches of two of the portraits into the background of my double page spread.

Sketching the sketchers
With some colour added

Because I couldn’t use my watercolours in the gallery, I moved to the ‘family’ room where messy art could happen.

The final double page spread.

I planned to add some elements from the cafe in the bottom right corner, but I ran out of time. Maybe I can do that another time.

by Leonie Andrews

End of another year

I will just share some photos as I haven’t reached any conclusions about the year. I’ve made work, communed with like-minded friends both online and in person around the world. Thank you all for being open and sharing your year with me as well.

Part of a major piece going on show in 2023.
Some silliness with friends in Indonesia.
A female (left) and juvenile male (right) Eastern Koels, summer visitors to our part of Australia.
Sketching in my own backyard, late December.
Sketching in other people’s back yards, Hila, Ambon, Indonesia in October. The Dutch built Immanuel Church, 1659 and locals fishing on the pier.
by Leonie Andrews

Escape to the country!

Last week we finally left our Canberra for the first time in months to drive an hour away to the country town of Braidwood.

The village of Braidwood started to form around the 1840s and has retained many of it’s older 19th century buildings along the main street. As such, it’s a great place to sketch.

I was sketching across the road from the CWA (Country Women’s Association) building and the post office and then later further down the main street into town.

My first sketch was made on a page that I had prepared with white gesso and ink a few weeks back. I also collaged some paper onto my page, which I had made by printing from a gelli (gel) plate. That saved me from having to paint the mountain.

The CWA building and a corner of the post office on Wallace St Braidwood.

Along the street my eye was caught by an interesting combination of rooflines and light poles.

Steep roofs and tall chimneys. Watercolour and pencil.

I was just getting stuck into my blind contour drawing when I had to go for lunch which we had booked at the Albion Cafe.

Blind contour drawing of the same scene of rooftops and light poles.

I liked this last one best of all. It’s probably a good thing that we had to go to lunch before I ruined it.