Cafe Wednesday, construction continues

The renovation work is continuing at our local shops, but that doesn’t seem to be stopping anyone from dropping by for a coffee.

The last two weeks I’ve been drawing the machinery on site. Unfortunately no good figure sketching opportunities have arisen since my previous post on this subject. Two weeks ago I drew the bobcat, which was parked up at a pretty uninteresting angle to where we were sitting.

The bobcat, 16 march 2016, coloured pencil and graphite on gray toned paper

The bobcat, 16 march 2016, coloured pencil and graphite on gray toned paper

I’m not very excited by this drawing, I could have used the coloured pencils more effectively, rather than just ‘colouring in’.

Last week we found a better seat to observe what was going on. Thankfully the small digger that was being used to work on the replacement of the drainage system was parked at a good angle to our table.

Small digger, 23 March 2016, coloured pencil, ink and white chalk on gray toned paper

Small digger, 23 March 2016, coloured pencil, ink and white chalk on gray toned paper

This time I thought a lot more about how I was going to use my colour, which was probably helped by using the pen for the initial drawing. I kept my drawing loose, which is how I prefer to work. However there was one glaring mistake. I didn’t look carefully enough at the angle of the digger before I started. Had I done so I would have seen that the bucket was actually well below the level of the tractor treads. So now I have a more interesting composition instead, with the bucket tucked in the middle of the sketch.

Getting in line

Today I decided to keep it simple. Pen and ink, blind drawing and the queue at the coffee shop & bakery.

The queue at the bakery, pen and ink, 19 March 2016

The queue at the bakery, pen and ink, 19 March 2016

It’s annoying that my current sketchbook is just a fraction too large to fit on my scanner so I’ve had to scan and re-join today’s drawings.

The queue at the bakery, pen and ink, 19 March 2016

The queue at the bakery, pen and ink, 19 March 2016

Concrete Cafe

In my first post knee-surgery outing (as opposed to doctor’s visits) we went to our local cafe. Changes, by way of a major upgrade of the pavement and landscaping of the shops, are well underway and the dinosaur is on a leave of absence. Instead there was a concreting crew waiting to pour several large slabs which will form the new, level area for seating.

Don't forget to check your pens!

Don’t forget to check your pens!

You can tell I’m a bit rusty because I made a real beginner mistake – I forgot to check my pens before I left. One was completely out of ink and the other has a dodgy nib that really needs changing.

It took a while to get going with the sketches as I fiddled around finding a pencil and approach that I was happy with. In the end I began by focusing in some of the boots that were sitting ready to be used.

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Gumboots and smoothing the edge, graphite, white chalk and coloured pencil

Then the concrete truck arrived and before I knew it I had sketched a group of labourers that Kazimir Malevich would have been proud of.

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Quick movement as the man spread the concrete.

By way of comparison here is one of Kazimir’s.

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Kazimir Malevich, The woodcutter, 1912, Collection Stedelijk Museum Amsterdam

There were several slabs to be poured so I managed to capture the action by loking for the repetitive movements.

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Edge detailing and more work boots, graphite and magic pencil

I really enjoyed trying to capture the way the men moved, although clearly bad backs are an outcome of such work.

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Spreading the concrete, graphite, magic pencil and white chalk

More faces

A quick trip to the National Gallery yesterday to see the small exhibition Black – more of that another time perhaps. En route passed this unidentified Indian goddess in the Asian gallery.

Unknown goddess (possibly Lakshmi or Gangaur), Patan, 17th cent. wood and pigment

Unknown goddess (possibly Lakshmi or Gangaur), Patan, 17th cent. wood and pigment

Today I was back to play at the cafe again with my magic pencils  and the odd bit of white chalk.

Two faces at the cafe, magic pencils Fire and America (left); Fire, America, Tropical and white chalk (right)

Two faces at the cafe, magic pencils Fire and America (left); Fire, America, Tropical and white chalk (right)

And some more.

Face, white chalk and magic pencils, America and Tropical

Face, white chalk and magic pencils, America and Tropical

Obscured face, magic pencils Fire and America and white chalk

Obscured face, magic pencils Fire and America and white chalk

Art and the Beach

It’s rather embarrassing but I have just found this post from early February 2016 which I forgot to post, so somewhat belatedly, here it is.

I love visiting the city of Adelaide and a trip to the Art Gallery of South Australia is always on the ‘to do’ list. On this visit I wanted to see The Power of Pattern: the Ayako Mitsui Collection, which highlights kimonos and the stencils and techniques used to decorate fabric. While there I also took the time to do some drawings of some of the sculpture in the main gallery.

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Statue of Eros, 1892-93, by Alfred Gilbert, new casting in aluminium, 1986-88; and Torso by Jean Broome-Norton, 1935, painted plaster. Pencil on grey-toned paper 5 February, 2016

After a bit of culture it’s also good to catch a bit of nature, in the form of one of Adelaides beaches. Saturday was near perfect beach-going weather with a clear sky and very little breeze. The water was crystal clear over a white sand bottom so visibility was excellent. After quite a bit of decadently floating around, my nephew and I started looking at the various things we could spot underwater. Apart from ‘the usual suspects’, seaweed and razor clam shells, we found a big chunk of smoothed bottle glass and somewhat unexpectedly a large piece of an old LP record. The latter had also clearly been in the water for quite some time so I couldn’t say exactly what music had been entertaining old Neptune.

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Sea ‘treasures’, pecil on grey-toned paper, 6 February 2016