Sydney | leonieandrews

Well it’s been a while since I posted, mainly because I have been busy finalising my first solo exhibition in Sydney, (more of that in another post). We had to drive up from Canberra for the installation so once we arrived we had some spare time to get some sketching done.

You probably won’t be surpised that this has meant sitting in cafes and sketching, although it’s also been about taking the opportunity to look out at the busy urban settings as much as drawing people. We are staying in the inner-ish suburb of Strathfield, close to the railway station. It’s a lively area with plenty of activity all day.

Early morning coffee sketching at Maldini’s Espresso. The place across the road must have the good dumplings because there were always queues there at night.

The area also has a very strong Korean focus. You can’t go wrong with Korean barbecue restaurants and the style and content of the local grocery and specialty shops is a far cry from what we have in our local area. It makes a heady mix for us sketchers!

We also spent some time at the Art Gallery of New South Wales, where I had just enough time to sketch some sculptures as fit in another cafe sketch.

Lyndon Dadswell, The Birth of Venus, 1944. One of a number of smaller sculptures displayed together.

I love the way these groupings of sculptures relate to each other and the art around them. It was a bit of a challenge to see enough detail in the Dadswell sculpture to draw it, as it was silhouetted against a bright window. The view of the back of the sculpture was much better lit. Unfortunately I didn’t have enough time to sketch that as well.

The rear view of the Birth of Venus by Lyndon Dadswell.

My partner and I caught the bus up to Sydney yesterday, so we could see the Chuck Close: Prints, Process and Collaboration exhibition at the Museum of Contemporary Art. The weather was vile. Rainy with strong gusty winds so inside a gallery was just the place to be.

We were a bit stunned, when we arrived, to find out that it was a single entry ticket to the show, so our plans to take a look, retire for a restorative coffee and then re-enter the gallery for a second look were shot. Having decided that caffeine fortification was in order, prior to entry, we went to the 4th floor cafe, with its marvelous terrace with views to the Opera House, only to have to sit inside because yes, it was raining again. I took the opportunity to quickly sketch this sculpture of a ‘child’. When I finally dashed out to get a look at the title and artist’s credit I discovered that the head, turned away from me is that of an extinct and ancient fossil fish!

‘to be carried away in the current, to be dissolved in the Other’, Sangeeta Sandrasegar, 2014, Museum of Contemporary Art, Sydney. Copic multiliner, 11 December 2014

I won’t say much about the exhibition, other than its great if you like Close’s work, as he is happy to not only reveal, but hang on the walls, examples of the processes he uses to make his work. This includes the actual woodblocks etching plates and forms he uses. I love seeing these objects as much as the finished work itself. There was so much to take in so I was thankful that the catalogue does provide lots of close up detail so you can examine the work again in your own time.

Given that we ended up spending less time at the gallery than anticipated we still had some time to expend before we headed back to return bus. My partner suggested finding somewhere to perch ourselves and draw. We walked to the eastern side of Circular Quay and found a bar on the Opera Walk where we had a good view of the Harbour Bridge, albeit from underneath the shelter of the bar’s umbrellas.

The Harbour Bridge from the Opera Walk, Circular Quay, Sydney. 11 December 2014, Copic Multiliner

Back on the bus and through the rain to Canberra. I was jolted awake as a brilliant light shone onto my face – the sun had broken through the clouds. I spent the next half hour enjoying the special sunset effects. This is one I tried to capture on my phablet, an impression of the small scraps of cloud catching the last sunlight.

Cloud study, late afternoon, e-drawing (Photoshop Touch), 11 December 2014

leonieandrews

Tag / Sydney

Drawing Sydney (not all cafes)

Sydney, for a day