Back at the Portrait Gallery

I know it’s only been a week, but I was back at the National Portrait Gallery again on Sunday for their monthly life drawing session, called Drawn In. The Gallery provides easels, boards, materials, paper, and pencils, but you can also take your own.

My book is watercolour paper, so I did my first sketch, a tonal study, with pencil, on the smoother side of my paper.

Trying to focus more on tone, than lines, although I used both

I decided to move into the Family Art room as it’s possible to use watercolour in there. It was certainly a different angle to sketch from. It was almost the reverse of the view that I did first.

The view from the Family Art Room

Lots of friends from the Urban Sketchers were also there, so we rounded off the afternoon with cups of tea and coffee in the cafe.

Life Drawing .

Last week I went to my first life drawing class of the year. We had a stand-in model, one of the class, as the booked model cancelled just before the class started.

I took the big tip from last year’s classes and bought myself a roll of paper from the kids section of IKEA for the short poses. As you can see you just keep rolling it up and over the easel.

Short sketches in coloured pencils.

For my quick poses I used coloured pencils, part of my drive to start using all those stray art materials I have hanging around.

For the longer poses I swapped over to watercolour. Our group is quite eclectic in terms of media. We ranged from pencil to digital, acrylic and watercolour.

15 minute pose, watercolour and pencil, two versions.
15 minute pose, watercolour and pencil.
15 minute pose, watercolour and pencil.

Surfside life-sketching

We continue to head down the coast for our weekly swim while the weather and the east-coast current are warm. We have a decent sized beach shelter so between bouts of swimming and boogie-boarding we can sit comfortably inside out of the sun and sketch.

Like a life-drawing class the length of the poses changes. Some people stand still for some time looking out to sea,

others, bend or lift a board so quickly that the stance lasts only for seconds.

I am often surprised at the variety of subjects matter that present themselves.

If there is one thing I need to remind myself, it’s that I need to bring bigger sheets of paper with me to capture all the action.

Looking for a life model

I’m in a watercolour sketching phase at the moment, sketching people in general and portraits in particular. Mostly I work in coffee shops trying to get a quick sketch done before the subject inevitably leaves at the critical artistic moment. However I am also really ‘over’ drawing people with cups or mobile phones in their hands. Given that I don’t attend regular life drawing classes I need a way to find some interesting models. 

So what to do? ‘Cheat’ I happily reply. I notice that I am not alone in drawing sculptures, by way of a substitute for a live model. Art galleries or even local parks can be good places to find interesting subjects.Here are some sculptures I drew while I was in Japan.

Two sculptures and an attendant in the Churyo Sato wing of the Miyagi Museum of Art in Sendai

Here’s another.

Shade, Churyo Sato, Miyagi Museum of Art, Sendai

When even the sculptures are lacking I turn to another source, photographs. The Boss, belting out a number (original photo Getty Images)

I find that newspaper photographers are particularly talented at capturing interesting positions of sportspeople or dancers. 

Aussie swimmers, Kyle Chalmers and James McEvoy (original photo AP)

The hard part, is to spend only the same amount of time sketching from the photo as you would if they were really in front of you. Just remember this is a way to practise making a quick sketch, not a photo-realist masterpiece. 

Dr Sketchy and all that glitters

Last night my partner and I headed out to Dr Sketchy’s at the National Gallery of Australia. Like everyone at our table we were unsure whether there was a theme for the evening, until models in silver and gold paint appeared! Everything metallic and shiny was the story.

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A model in gold, Posca acrylic markers

I decided to use my Posca markers for some of the sketches, particularly as they already had the seal of approval for use at the event. I liked using them, but realised I should have done some testing before I went. My yellow ochre marker, used above, just wasn’t flowing very well, so I ended up with a rather scratchy effect.

It was also a pleasure to see a male burlesque performer/model in the line-up. Sir Regal Shivers (and his dragon George) certainly got the audience shouting for more.

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Knight, minus the shining armour, coloured pencil

We were also treated to performances from visiting interstate burlesque performers including the wild Zelia Rose, who was the 2014 Miss Burlesque Australia.

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Zelia Rose, coloured pencil

The evening finished with the final group pose. I managed to only get two of the models into my sketch.

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Final group sketch, coloured pencil

As always it was a tremendous evening. The output of all the participating sketchers was amazing and the performances particularly good. I’m looking forward to next time!