Each year I indulge my childhood memories by buying myself a bunch of New South Wales Christmas Bush (Cerapetalum gummiferum), to display on my festive table. This plant was grown around my family home in Sydney, but is too frost sensitive to last in Canberra’s icy winters – I know I’ve killed two plants already. This year I fleshed out the display with some other Australian daisies, the drumstick-like Billy Button (Crasspedia sp.) and another with chalky whitish green flowers, which I don’t recognise, but I assume is from Western Australia. At the last moment my partner added in a large branch of his Holly Oak (Quercus ilex) which lent quite a dramatic diagonal to the ‘arrangement’.
Once again I was practising my sight measurement and angle checking. I made a light pencil outline then worked, fairly freely over this with my Copic Multiliner.
Initial ink sketch with Copic Multiliner, 29 December 2014
I knew I wanted to add watercolour to the drawing so I set out to do this as simply as possible.
A Christmas arrangement, pen and watercolour, 29 December 2014
I am pleased with a finished result but again would like to re-visit the subject matter without using a sketch outline. Unfortunately I’ll have to rely, in part, on photos as the Christmas Bush is now way past it’s best.
It’s spring and the umbrellas are out again!, pen and ink and acrylic paint maker, 16 September 2014
In the final weeks before my show I’ve been drawing, but haven’t had time to post. In the main I’ve been taking my cafe breaks (and even fitting in the gym!) so I don’t injure myself with all the repetitive stitching that goes into my exhibition work. So here they are, several more weeks of cafe drawings.
The curbside at Biginelli’s Cafe, pen and ink, 17 September 2014
Back at Biginelli’s and drawing faster, just like Jo suggested!
At Biginelli’s again, a week later, pen and ink, 24 September 2014
A not so quick drawing, mixing blind drawing and a more ‘observational’ approach.
The Italian Bakery, pen and ink, 20 September 2014
I’m still working on drawing people. Strangely, to me at least, getting a rough idea of the hairstyle seems to help with the drawing.
Group sitting at the Italian Bakery, pen and ink and acrylic marker, 27 September 2014
Finished at last, a celebratory coffee with a passionfruit and polenta cake!
My Cafe at Manuka with umbrella and a man on the phone, pen and ink and acrylic marker, 1 October 2014
Three cafes in three days, a bit more than my usual quota of coffee for the week. I started off with drawing a grandmother and granddaughter, having a break together. The girl developed a somewhat ‘cubist’ head as she kept moving quite quickly. A few of my strokes ended up in unintended places (well that’s my excuse).
Grandmother and granddaughter at the coffee shop, 3 June 2014.
The next day found us having lunch at the National Museum of Australia, after having seen the Old Masters: Australia’s Great Bark Artists (more of that in a future post).
Umbrella and a view back towards the city from the National Museum of Australia, 4 June 2014.
Lastly back to our regular place for a coffee today. The sun encouraged us to go for a walk before more clouds blew in. I particularly liked the way the fluting on the glass reminded me of colonnades and arches.
A glass architecture, pen and ink, 5 June 2014.
Recently I was given a Moleskine Sketchbook, nice gift. I have used their watercolour books before, I lashed out and bought some when I did an overseas trip, but the sketchbook was new to me. Time to put it through it’s paces. I decided to use my fountain pen with black ink and then try some watercolour washes.
OK, I was rather surprised to see my black ink get sucked into the page so that there was only a medium grey colour left behind. Not promising. Then the watercolour wash ‘beaded’, very finely, on the paper with as much paper exposed as covered. My ink isn’t permanent so there was quite a bit of ‘running’. I wasn’t too happy. But then I looked at the page as it dried and decided it wasn’t so bad after all – I’m referring to the top half of the image below. I quite like the way the watercolour and ink has worked on the red backpack.
Ink and watercolour on Moleskine sketchbook.
I then tried reversing my approach, laying down some washes and a bit of watercolour sketching. The teapot on the left was far more subtle than I expected. I discovered that I could draw back into the wash, after it had dried a bit and the ink remained a lot darker. As you can see the ink didn’t bleed even though the paper remained somewhat damp.
I’ve also done more drawings on the back of this page using washes and I’m really pleased to see that there is no bleeding from one side to the other. I did leave the page to dry out a bit between drawings. The washes dried reasonably quickly, enough for me to be convinced I could get a rapid sketch with washes done and still have it dry enough to close the book up after only a few minutes drying time.
The main drawback for me to effectively use this journal remains the ink. Given that I like to make notes to go with my sketches using this fountain pen with the current type of ink clearly isn’t going to be too successful. Particularly if I want my notes to remain visible. I did see that Moleskine has a rollerball pen that can be clipped for easy carriage onto the sketchbook, but at just under $20 for the pen and $5 each for the refills I think I’ll pass on the “innovative rectangular design” that is “fashioned to specifically compliment the shape and personality of a Moleskine journal”, for a more rudimentary ball point pen!
I’ve done very little drawing this week. I’ve had to focus on finalising exhibition proposals. Trading drawing for writing and trying to bash some plain English, as opposed to art speak, into my words. I’ll let you know how I go.
Relief came on Friday as we took an hour at lunch to drop by the Fyshwick Markets where there was an ‘apple and pear week’ promotion, which included a tasting of some interesting ciders. Oooh arghh, oooh arghh, I hear you say! To add to the atmosphere two guitarists were playing some very easy sounding jazz – not that we needed encouragement to sample the ciders on offer.
Jazz guitar at the Fyshwick markets, 7 March 2014.
I clearly didn’t realise the effect the cider was having on me until I scanned the image below and noticed that I’d managed to get both the wrong day and month on the drawing!
Jazz guitar and some listings of what was on offer on the day. (For the record I recommend Willie Smiths Organic Cider and the Hillbilly Crushed Pear).