Testing, testing

I bought a new sketchbook the other day. I’m trialling it for a trip I’ll be taking later in the year. On previous trips I’ve treated myself to Moleskine sketchbooks, but I’m not completely convinced that I’m not just paying for the name. Given the ‘status’ of the Moleskine, it’s not surprising that other art supply companies are making ‘clone-skines’ to tap into the same market but at a much lower price-point.

The clone I’ve bought from my local art shop is slightly wider than the Moleskine sketchbook which I normally buy, not to mention being half the price. The clone does have the elastic strap and pocket at the back of the book. The paper is 150gsm, acid free, so pretty standard. I don’t expect this paper to be good for watercolour. However, when I assessed the types of  drawing and painting I did on my last trip I realised that it was sketching, not painting, that dominated my output. So a watercolour friendly paper is, realistically, not my first priority.

So far I’ve tested my acrylic paint markers and have been pleasantly surprised at the result. Not only does the paper take my thick marker quite well, it doesn’t bleed through to the back of the page.

A drawing on the back of a page which also has a thick black acrylic paint marker drawing on it.

A drawing on the back of a page which also has a thick black acrylic paint marker drawing on it.

Only one slightly disparity has occurred. The paper loves my Posca paint markers, soaking up the black lines to a matt finish, but it doesn’t react so well to my Liquitex paint markers. In the drawing below the black is the Posca and the red is the Liquitex. I couldn’t get any sort of smooth coverage with the red and repeated applications would have ended up tearing the page.

Two brands of paint markers, two different quality of coverage.

Two brands of paint markers, two different quality of coverage.

Here’s a close-up of the two colours side by side. I have been happy with the coverage of the  Liquitex pens on a range of other papers, so all I can conclude is that they don’t like this specific type of paper. This is a bit of a drawback as I have quite a good range of colours in the Liquitex and I’m not desperate to spend more just to buy similar colours in another brand.

Close-up of the coverage of the two brands of markers.

Close-up of the coverage of the two brands of markers.

I’ve also taken my Lamy Safari pen for a test drive on the paper and once more I was really pleased with the line and the way the paper took the ink.

Drawing using the Lamy Safari pen in the new sketch book.

Drawing using the Lamy Safari pen in the new sketch book.

I’m planning to try watercolours and a few other things in this book before I make a final decision on whether I go with the clone or not. I’ll keep you posted.

More play

Recently I was given a Moleskine Sketchbook, nice gift. I have used their watercolour books before, I lashed out and bought some when I did an overseas trip, but the sketchbook was new to me. Time to put it through it’s paces. I decided to use my fountain pen with black ink and then try some watercolour washes.

OK, I was rather surprised to see my black ink get sucked into the page so that there was only a medium grey colour left behind. Not promising. Then the watercolour wash ‘beaded’, very finely, on the paper with as much paper exposed as covered. My ink isn’t permanent so there was quite a bit of ‘running’. I wasn’t too happy. But then I looked at the page as it dried and decided it wasn’t so bad after all – I’m referring to the top half of the image below. I quite like the way the watercolour and ink has worked on the red backpack.

Ink and watercolour on Moleskine sketchbook.

Ink and watercolour on Moleskine sketchbook.

I then tried reversing my approach, laying down some washes and a bit of watercolour sketching. The teapot on the left was far more subtle than I expected. I discovered that I could draw back into the wash, after it had dried a bit and the ink remained a lot darker. As you can see the ink didn’t bleed even though the paper remained somewhat damp.

I’ve also done more drawings on the back of this page using washes and I’m really pleased to see that there is no bleeding from one side to the other. I did leave the page to dry out a bit between drawings. The washes dried reasonably quickly, enough for me to be convinced I could get a rapid sketch with washes done and still have it dry enough to close the book up after only a few minutes drying time.

The main drawback for me to effectively use this journal remains the ink. Given that I like to make notes to go with my sketches using this fountain pen with the current type of ink clearly isn’t going to be too successful. Particularly if I want my notes to remain visible. I did see that Moleskine has a rollerball pen that can be clipped for easy carriage onto the sketchbook, but at just under $20 for the pen and $5 each for the refills I think I’ll pass on the “innovative rectangular design” that is “fashioned to specifically compliment the shape and personality of a Moleskine journal”, for a more rudimentary ball point pen!

Fashioned specifically to compliment the shape and personality of a Moleskine journal, the innovative rectangular design feels nice in the hand and lies flat. – See more at: http://www.eckersleys.com.au/products/moleskine-roller-pen#sthash.syJInMZE.dpuf
Fashioned specifically to compliment the shape and personality of a Moleskine journal, the innovative rectangular design feels nice in the hand and lies flat. – See more at: http://www.eckersleys.com.au/products/moleskine-roller-pen#sthash.syJInMZE.dpuf