Asking myself the question today, what influences my stitching.

Then immediately noticed the following two views outside opposite windows of my house.


Asking myself the question today, what influences my stitching.

Then immediately noticed the following two views outside opposite windows of my house.


Sometimes in the evening there is more space to create.

You often hear writers talking about how characters in their novels develop a life of their own during the writing process. That I can understand. What has surprised me is that a piece of cloth I am currently stitching is exhibiting the same tendency.

After my exhibition in September 2020, I remembered some advice from a fellow artist, that to lessen the post-exhibition low he always painted a yellow painting. Good I thought, I have an old yellow microfibre cloth I can stitch on.
I had visions of all the shades of yellow blending harmoniously together …. the cloth had other ideas.

I learned quickly that this faded and pre-loved cloth had an amazing ability to absorb almost all varieties of yellow. It could suck in sunshine yellow, daisy yellow, and some tones disappeared into it’s surface completely. Apart from contrasting threads, the only thread to boldly resist this challenging cloth is an equally recalcitrant hi-vis yellow stranded thread I bought on a whim some months ago.
20 JANUARY 2021 – Still a work in progress. My post-exhibition piece started last year, de-railed by Christmas and other projects. So much stitching even in a piece 39 x 39 cm. And the back, more gloriously feral than ever, when I realised that the hi-vis threads were too slippery to stay firmly attached without additional stitching. So lots of ripping back and re-sewing.


8 FEBRUARY 2021 – At last the end has been reached! The final lines of hi-vis yellow are in and I even stitched my name onto it. Resistant to the last it has developed a belly in the middle and refuses to sit flat.


Various salvaged, donated and bought embroidery threads on found microfibre cloth.
Today I have finally taken up my needle again and have had the pleasure of stitching these beautiful eucalyptus dyed silk squares sent to me by @bluedorritt as part of the Opening Stitches project.

Stitching on silk squares dyed with eucalyptus, original stitches by Sue Butler
It has been quite a frustrating being unable to stitch, and this project started to drift away from me.

A second silk square.
Now I am better I have had to reacquaint myself with the project.

A close up of the stitched square.
Somewhere along the line l had missed stitching these two squares that were sent to me some months ago. Fingers crossed that the paperwork tracking all the contributions has now been sorted out and I can get back to the making.
To those of you living on the east coast of Australia, there are two opportunities to see my work during December and January.
Firstly I am exhibiting my textile work at the Gosford Regional Gallery, along with two artists from my home town of Newcastle (NSW) Eleanor Jane Robinson and Mandy Robinson. If you can make it to the opening on Friday 4 December at 6.00pm I may see you there.
36 Webb St, East Gosford NSW
Otherwise you can see one of my textile works that was selected into the Gold Coast Art Prize. The opening is on 5 December also at 6.00pm, but sadly I won’t be able to make the event.
135 Bundall Road, Surfers Paradise