Porosity Kabari (Nishi Gallery, New Acton, Canberra) is a collaboration between Trent Jansen, Richard Goodwin and Ishan Khosla. The trio “investigates the cycle of use, re-use (and further re-use) – and how we can, simply, use one thing to make another thing.” Using only materials and skills sourced from the ‘Chor Bazaar’ (Thieves Market) and the Dharavi slum in Mumbai, the outcome is a series of objects that fascinated me with their detail and juxtapositions, and showed an enjoyable lack of concern for ‘perfect’ functionality.
My first sketch was of Trent Jansen’s ‘Dropping a Kumbhar Wala Matka Vessel’, 2016. This work is composed of three photographs of the potter Abbas Galwani dropping ones of his pots on the ground, along with a number dropped pots that have subsequently been fired with all their distortions and cracks. Jansen’s work is a riff on Ai Wei Wei’s 1995 work ‘Dropping a Han Dynasty Urn’. (Ai Wei Wei’s work gives me the same squirmy sensation as fingernails scraping on a blackboard). But Jansen is drawing a different observation on ‘value’. These pots are in widespread use but their makers gets little respect for their skills and only minimal financial returns for their labour.
The second sketch is of one of Ishan Khosla’s ‘Constructed-Deconstructed-Constructed’ series, 2016. These works are made from scavenged wood and odd bits of old furniture. Either a stool or a table, take your pick, these pieces have their own aesthetic which Khosla calls “do first think later”‘
Two sketches was as much as I could manage while standing up to draw, (no stools were available). So I will finish off with photos of two pieces that I really responded to by Richard Goodwin.Twin Charpai Exoskeleton for Mumbai, 2016, Richard Goodwin
This final piece really spoke to my own explorations of stitch, and I always enjoy a good wrapped object!
Klein Chair, 2016, Richard Goodwin
The exhibition finishes on 9 July, at the Nishi Gallery, New Acton, Canberra.