Penciled in

Some recent sketches using coloured pencil and my new toned tan Strathmore sketchbook.

In the coffee shop Saturday morning, coloured pencil on toned tan paper

In the coffee shop Saturday morning, coloured pencil on toned tan paper

Today’s effort from the window of the National Gallery of Australia’ cafe window. This section of the garden has recently been cleaned out and re-planted with grass trees.

Garden at the National Gallery of Australia, coloured pencil on toned tan paper, 9 May 2016

Garden at the National Gallery of Australia, coloured pencil on toned tan paper, 9 May 2016

I’m trying not to resort to ‘colouring in’, hence the vigorous strokes, which I’m enjoying making.

One more from the archive, a sketch in my toned-grey book, a spool of twine at a building site.

A spool of builders twine, coloured pencil on toned grey paper, 11 April 2016.

A spool of builders twine, coloured pencil on toned grey paper, 11 April 2016.

Architectural details

My sketching has taken a sudden swerve into architecture this past weekend. I visited two historic buildings in Canberra from different periods built in very different styles.

On Saturday we were in Kingston near the Fitter’s Workshop. Built in 1916-17, the Fitter’s Workshop is part of a complex of early Canberra industrial buildings that is being converted into an arts precinct. The Fitters Workshop was designed by John Smith Murdoch, better known as the architect of the original Parliament House (commonly referred to now as Old Parliament House). On close inspection it’s apparently simple lines reveal a refinement of detail not normally seen on utilitarian buildings.

Detail of a window, the Fitter's Workshop. Graphite and white chalk on gray-toned paper.

Detail of a window, the Fitter’s Workshop, 1916-17. Graphite and white chalk on gray-toned paper.

On the southern outskirts of Canberra is the Lanyon Homestead.  First settled by European squatters in the early 1830’s the land was granted to James Wright and John Lanyon in 1834. The Urban Sketchers Canberra group had visited here last year, but we weren’t able to make it then so we were finally making up for that outing.

We walked around the buildings and gardens trying to decide what to sketch. My eye kept coming back to the bell on the kitchen building’s roof. The kitchen complex, which also includes a cook’s room and cold store was built in the 1830’s. The bell and it’s supporting structure reminds me of an old south-western US mission bell, although Wright was supposedly influenced by the vernacular styles of his native Derbyshire.

The bell on the kitchen block, Lanyon Homestead, circa 1830s. Coloured pencil and graphite

The bell on the kitchen block, Lanyon Homestead, circa 1830s. Coloured pencil and graphite

I tried several versions of this sketch before I decided to focus solely on the bell and leave the steeply pitched roof and nearby buildings for another time.

After, I moved to sketch the farm buildings on the other side of the homestead. One of these buildings was the housing for the convict labourers who were first grated to Wright in 1835. I found the simple block style a contrast to the farm and bushland that formed the background. I also decided to simplify that landscape to emphasise the contrast with man-made structures.

Convict accomodation at Lanyon Homestead. Coloured pencil and graphite

Convict accomodation at Lanyon Homestead. Coloured pencil and graphite

Inside the tip shop

A highlight of any week is a visit to the local tip shop, where all manner of stuff gets re-cycled. I’d planned to sit inside the big shed and draw, but got diverted finding pre-loved items for our garden.

Inside 'Tiny's' Green Shed, Hume, ACT . 14 January 2014.

Inside ‘Tiny’s’ Green Shed, Hume, 14 January 2014.

Icame home with several items including this weird looking contraption which is actually the top of two bird cages that have been wired together to form a protector that can be placed over plants to save them from the ravages of the local fauna. In our case this is saving our beetroot from being anihilated by our local brushtail possum.

Plant protector made from the tops of two birdcages, 18 January 2014.

Plant protector made from the tops of two birdcages, 18 January 2014.

From a drawing perspective I was attracted to the colour contrast between the duck-egg blue wire on top and the black metal on the rest of the cage. The repetitive lines of wire also get the big tick from me.

Colourtest

Since I’ve started to use my coloured pencils again I’ve tried to give a bit more thought as to what brand I prefer to use and the particular colours that I need for a small travelling kit. My current very random selection of pencils has been gathered over the years from various sources and often only on the basis of ‘oh that’s a pretty colour’.

Of all the pencils I currently use I’ve decided that I prefer the Prismacolor for their waxy lushness. I already have a variety of regular and metallic colours and decided to add a box of 24 colours from the local art store. Here is the current colour selection on some of the coloured pastel paper I’m trying to use up.

Prismacolor Premier colored pencils test sheet.

Prismacolor Premier colored pencils test sheet.

To test some of the new colours I drew the teapot and the cushion. I was pretty satisfied with the selection, but I have decided that one or two grey pencils would round the colour range out.

Teapot in the garden, coloured pencil on pastel paper, 12 January 2014.

Teapot in the garden, coloured pencil on pastel paper, 12 January 2014.

In Situ

It was a silly accident, but having kicked my little toe quite badly the medical advice was to sit with my foot up and not move around too much. I had some books to look at, including one of paintings and sketches of the architect Louis I Kahn. Nothing like looking at someone else’s work to get the creative juices flowing. So armed with some coloured pencils and a partially used pad of coloured pastel paper I sat and drew what I could see out the window.

'Icicle' lights in the daytime, pencil on pastel paper, 4 January 2014.

‘Icicle’ lights in the daytime, coloured pencil on pastel paper, 4 January 2014.

OK, quite a bit to improve on there, but I haven’t done this for a while.

Open window, coloured pencil on pastel paper, 4 January 2014.

Open window, coloured pencil on pastel paper, 4 January 2014.

I was more pleased with this second drawing, but some drafting errors were annoying, all the more reason to keep practising!