Stromlo and surrounds

A week ago we took advantage of the fine weather to go out and get some sketching done. First we started at the new subdivisions of Wright and Coombs, currently being built below Mt Stromlo. The fires of 2003 burnt through pine plantations in this area paving the way for new subdivisions for our expanding city. I was attracted to capture the pattern of shadows cast by the pipes.

Sewerage pipes above the new subdivisions, watercolour, Mt Stromlo appears in the background, 25 September 2015

Sewerage pipes above the new subdivisions, watercolour, Mt Stromlo appears in the background, 25 September 2015

Later the same week we met up with friends and went up to Mt Stromlo, where the Australian National University has its Research School of Astronomy and Astrophysics. Like the land surrounding it, Mt Stromlo sustained terrible damage in the firestorm of 2003 that swept into the city of Canberra killing 4 people and destroying some 500 houses. All the telescopes, workshops and library on the mountain were destroyed.

One of the major losses at Mt Stromlo was the 74 inch telescope. This building contains its remains.

The 74 inch telescope building, Mt Stromlo, 28 September 2015, watercolour

The 74 inch telescope building, Mt Stromlo, 28 September 2015, watercolour

The building is sealed to contain remaining hazardous materials, but you can peer in through the windows to see what’s left of the telescope. I think my friend took a photo of me straining to draw what’s left of the telescope. You will be spared that sight, but the texture of the burnt and corroded telescope mount just begged to be drawn.

Remains of the 74" telescope, sketched through the window, graphite, 28 September 2015

Remains of the 74″ telescope, sketched through the window, graphite, 28 September 2015

My final subject of the day was the remains of the Oddie telescope building, built in 1911, the first telescope on the mountain. Since our previous visit this building has been fenced off to save it from vandalism. At least I could see past the fence to paint the building.

Remains of the Oddie telescope building, watercolour, 28 September 2015

Remains of the Oddie telescope building, watercolour, 28 September 2015

It was a great day and hopefully as the fine spring weather continues I’ll get a lot more outdoor sketching done.

Drawing the Exhibition – Myth + Magic 2

The 16th of September was Papua New Guinea’s Independence Day, so what better way to celebrate than return to the Myth + Magic exhibition at the National Gallery of Australia. This time I also managed to drag some friends along, as well as my partner, so we all set about sketching.

My first target was the Orator’s Stool from the East Sepik. I started with the face and enjoyed working with the deep shadows cast by the dramatic lighting.

Orator's Stool, East Sepik, PNG, study in graphite pencil with watercolour added later, 16 September 2015

Orator’s Stool, East Sepik, PNG, NGA 2008.173, mid 20th cent. prior to 1953, study in graphite pencil with watercolour added later, 16 September 2015

It was only after I’d finished this first drawing and went to record the details of the work, that I found the carvings of the crocodile and bird on the reverse of the stool.

I still had some 20 minutes before our meet-up time so I went and did a ‘quick’ study of this ancestor plaque.

Ancestor Plaque, East Sepik Province, Keram River, early 20th cent. prior to 1920, Museum Victoria X104676, graphite, with added watercolour, 16 September 2015

Ancestor Plaque, East Sepik Province, Keram River, early 20th cent. prior to 1920, Museum Victoria X104676, graphite, with added watercolour, 16 September 2015

This work has a very strong presence. It is made of fibre, largely for the backing and is covered with thick grey mud. It is decorated with lots of embedded pig tusks and shells. The image wears a headband of cassowary feathers. I haven’t captured much of its ‘presence’ so I will try to return and focus on this piece again.

After the drama of the exhibition space it was somewhat of a relief to retreat to the airy lightness of the Members Lounge for lunch. Afterwards, our friends decided that they wanted to look at the Aboriginal and Torres Strait galleries so we headed off there for a final sketch. I sat out near the entrance to draw the giant, 12 metres long, fish trap, that hangs above the gallery foyer.

Mandjabu (Fish Trap), 2010, created with assistance from George Ganyjbala, fabricated in aluminium and paint by Urban Arts Projects, Acc2010.667, graphite with added watercolour, 16 September 2015

Mandjabu (Fish Trap), 2010, created with assistance from George Ganyjbala, fabricated in aluminium and paint by Urban Arts Projects, Acc2010.667, graphite with added watercolour, 16 September 2015

I didn’t realise that I was being observed, but this photo gives you an idea of the scale of the work.

The loneliness of the long-distance sketcher, 16 September 2015, National Gallery of Australia

The loneliness of the long-distance sketcher, 16 September 2015, National Gallery of Australia

… meanwhile back at the ranch

So here we are back home after our fantastic holiday and the question is how to keep up the drawing momentum and not forget the lessons we learned at the Urban Sketchers symposium. OK we all know the answer, just keep drawing!

Last Sunday we took off down to the edge of Lake Burley-Griffin to draw in the warm winter sunshine. I selected the High Court, with the flags of the world in front and just a bit of the fairly-recently opened NGA Contemporary gallery.

NGA Contemporary and the High Court, watercolour and brush pen, 9 August 2015

NGA Contemporary and the High Court, watercolour and brush pen, 9 August 2015

Drawing landscapes is what I like doing, drawing people is my weak spot. Now it’s back to the cafes with a purpose. I aim to make at least one and preferably several sketches, each time I’m having my coffee. I’ve also realised that our pub trivia venue is a good place to capture faces and figures as people tend to sit still, or at least still-er while the quiz is underway. There’s only one ‘ax-murderer’ in this lot – I must be learning something!

Some faces at last week's pub quiz, pen and ink and brush pen, 11 August 2015

Some faces at last week’s pub quiz, pen and ink and brush pen, 11 August 2015

We also came back from Singapore groaning under the weight of new art supplies. Not only were the symposium sponsors extremely generous (thanks to Moleskine, Leuchtturm, Creatacolor, Caran D’Ache, Pen Up, Shop Oryx, ShinHanart, Super5, Stillman & Birn, Art Friend, Worther, Arters, Straits Arts, Bynd Artisan and Laloran); we bought lots of supplies at Art Friend and the small but beautifully formed Straits Arts (so much cheaper than in Australia); and we also scored some great prizes in the mega raffle. To add to the haul I also received a very delayed parcel of art supplies from a local supplier in my mail when I got home!

One of our purchases in Singapore was lots of empty half-pans (only to find another 50 in my parcel on my return!). My partner has also been on the lookout for some small metal tins, to make some very compact watercolour sets, (Altoids not being commonly around in Australia). Anyway, we found these tins in Bangkok and they are just right for 9 half pans. At 5 cms x 7.5 cms they are very compact. Given that one of the prizes my partner scored was a set of 32 tubes of watercolour paint we have almost endless colour options to choose from.

Home made compact watercolour set

Home made compact watercolour set

 

Canberra Sketchers at Hotel Hotel

We decided not to repeat last month’s Canberra Sketchers Group outdoor meeting and opted instead for the warmth of Canberra’s hippest accommodation Hotel Hotel. It was hip and happening and we were there.

We set up at the Monster Kitchen and Bar and managed to drink lots of tea and coffee and scoff plenty of tasty cakes and biscuits and didn’t even dip our paint brushes in the wrong glass once!

Watercolours amongst the coffees

Watercolours amongst the coffees

The building provided plenty of places to sit and observe and lots to look at as well.

I opted for an external view to the cold and foggy Canberra morning, not that that was deterring the cyclists who parked their bikes outside the window.

Looking out to the cold, watercolour, 5 July 2015

Looking out to the cold, watercolour, 5 July 2015

It was only after I returned to the main table that I realised there were light wells overhead which looked up into gardens, wow! I did a quick sketch but, per usual would like to go back and pick a slightly different place to capture this scene. It gives one of those illusions where you can’t quite work out if what you are seeing is approaching or receding.

Looking up, watercolour 5 July 2015

Looking up, watercolour 5 July 2015

In all our production was quite high – demonstrating the value of having several books ready to go so you could swap between them as paintings were drying.

Some of the mornings output, Canberra Sketchers Group, 5 July 2015

Some of the mornings output, Canberra Sketchers Group, 5 July 2015

Next time we are meeting at the National Museum of Australia, 10.30 am on Sunday 2 August.

Canberra Sketchers Group – June outing

What with the fog and the 4 degree C temperature at 10.00 am we weren’t sure just how many sketchers would make it to our monthly outing today. It turns out that  Canberra’s sketchers are made of stern stuff, in all 9 people met to draw in the Canberra Beijing Garden on the shores of Lake Burley-Griffin.

A gift of the city of Beijing to Canberra to mark our Centenary in 2013, the garden was completed late in 2014 and is starting to look quite settled. The garden displays some of the key aspects of Chinese garden culture, including an entrance gate, pavilion, sculptures and an ornamental stone. Several of us drew the bronze replica of the famous Eastern Han Dynasty sculpture, Galloping Horse on a Flying Swallow. The heavenly steed is at full pace with just one hoof touching down on the back of the flying bird. I liked the view from the front of the horse rather than the often seen side-on position. But from any angle this sculpture is a dynamic masterpiece of design.

Galloping Horse on a Flying Swallow, watercolour, 7 June 2015

Galloping Horse on a Flying Swallow, watercolour, 7 June 2015

Further up the hill others were struggling with the tricky shapes of the Crane-Viewing Pavilion. I opted to make a second sketch of the Entrance Gate, from below, looking past the Stone of Appreciation from Lake Tai.

Stone of Appreciation from Lake Tai and the Entrance Gate from inside the garden, watercolour, pen and ink, 7 June 2015

Stone of Appreciation from Lake Tai and the Entrance Gate from inside the garden, watercolour, pen and ink, 7 June 2015

As always we gathered at the end to have a look at what had been drawn, discussing our various approaches and sharing tips. Sadly our scout had told us that our plan to have coffee in the nearby Hyatt Hotel wasn’t possible as it was jam-packed with Sunday brunchers. Thankfully one well prepared sketcher had brought along a fantastic carrot cake which they kindly shared with the rest of us – now that’s what I call an incentive!

Some of the hardy band that came along for the June Canberra Sketchers Group outing, 7 June 2015

Some of the hardy band that came along for the June Canberra Sketchers Group outing, 7 June 2015