I’ve found some recent inspiration in the stitching line Traces: Mapping a Journey in Textiles features several of my favourite textile artists, including Dorothy Caldwell, Susan Lordi Marker and Marian Bilenja. The exhibition was held at theGregg Museum of Art and Design North Carolina State University in May 2011. The catalogue for the show can be seen here.
This is one of Marian’s pieces. More can be seen on her Flickr stream.
Continuing to be inspired by Betty Churcher’s Notebooks I did some drawing at the National Portrait Gallery today. The staff are happy to welcome people drawing in the gallery – their policy is drawing with pencil only.
The two portraits I chose to draw were both photographs. The composition in both was fantastic and having done some drawing I realise that there is planty more to be looked at in both. Hopefully they will still be hanging when I return.
Olive Cotton’s double portratit of herself and her then husband Max Dupain plays on many level. Cotton’s shadow covers the sun-baking Dupain. While Dupain’s torso is obvious it took a while to notice the white sunglasses on his face which is in Cotton’s shadow.
Lewis Morley’s self portrait, includes a second figure who remains un-identified. They are reflected in a mirror (?) lying down an old shaft. On the wall while some of the elements of this image are clear others, including the actual size of the object reflecting Morley remain ambiguous.
Olive Cotton – The Photographer’s Shadow, c. 1935 (printed 1999). Collection: National Portrait Gallery, Canberra Purchased 2010
Lewis Morley – Self Portrait in Reflection, 1973. Collection: National Portrait Gallery, Canberra Gift of the artist 2003 Donated through the Australian Government’s Cultural Gifts Program
Here are three more drawings – what is left of the building is part of the ground floor and basement.
There will not be many more demolition drawings as the building is now largely down to ground level.
Having run out of images that attract me I resort to drawing the machinery.