The deliciousness of blind drawing

While I sat listening to a talk at the Drill Hall Gallery on Friday, it struck me that I have been moving further away from making ‘blind drawings’, which is something I really enjoy. So out came the pen and I got stuck into it. I had forgotten how I love making the lines.

Person at the Drill Hall Gallery, pen and ink 3 October 2014

Person at the Drill Hall Gallery, pen and ink 3 October 2014

Then I made some further lines.

3Oct2014b

Second person at the Drill Hall Gallery, pen and ink, 3 October 2014

After the talk was over I had a chance to take in the exhibitions. In one of the galleries Helen Fuller was showing her ceramics. When asked, at the talk,  about their ‘functionality’ she noted that at her place they were excellent receptacles for dead spiders and dust! The pots were engaging and their textured surfaces and simple colouration which worked quite strongly to enhance the thin walls – she only works the clay by pinching and coiling. The arrangement of groups of pots on plinths was also fertile material for drawing.

Helen Fuller pots, numbers 1-3, pen and ink, Drill Hall Gallery, 3 October 2014

Helen Fuller pots, numbers 1-3, pen and ink, Drill Hall Gallery, 3 October 2014

In her artist’s statement Helen quoted John Cage,

It is not futile to do what we do. We wake up with energy and we do something. And we make, of course, failures and we make mistakes, but we sometimes get glimpses of what we might do next.

Still catching up!

It's spring and the umbrellas are out again!, pen and ink and acrylic paint maker, 16 September 2014

It’s spring and the umbrellas are out again!, pen and ink and acrylic paint maker, 16 September 2014

In the final weeks before my show I’ve been drawing, but haven’t had time to post. In the main I’ve been taking my cafe breaks (and even fitting in the gym!) so I don’t injure myself with all the repetitive stitching that goes into my exhibition work. So here they are, several more weeks of cafe drawings.

The curbside at Biginelli's Cafe, pen and ink, 17 September 2014

The curbside at Biginelli’s Cafe, pen and ink, 17 September 2014

Back at Biginelli’s and drawing faster, just like Jo suggested!

At Biginelli's again, a week later, pen and ink, 24 September 2014

At Biginelli’s again, a week later, pen and ink, 24 September 2014

A not so quick drawing, mixing blind drawing and a more ‘observational’ approach.

The Italian Bakery, pen and ink, 20 September 2014

The Italian Bakery, pen and ink, 20 September 2014

I’m still working on drawing people. Strangely, to me at least, getting a rough idea of the hairstyle seems to help with the drawing.

Group sitting at the Italian Bakery, pen and ink and acrylic marker, 27 September 2014

Group sitting at the Italian Bakery, pen and ink and acrylic marker, 27 September 2014

Finished at last, a celebratory coffee with a passionfruit and polenta cake!

My Cafe at Manuka with umbrella and a man on the phone, pen and ink and acrylic marker, 1 October 2014

My Cafe at Manuka with umbrella and a man on the phone, pen and ink and acrylic marker, 1 October 2014

Cafe catch-up

As I’ve been trying out my new sketchbook over the past few weeks, I’d forgotten I also had several cafe drawings in the book I always carry in my bag. Here they are.

A bulldog waiting for its owner, ballpoint pen, 23 August 2014

A bulldog waiting for its owner, ballpoint pen, 23 August 2014

The construction site opposite the cafe offered an unusual subject by way of a cement mixer.

Cement mixer, pen, ink and acrylic paint marker, 30 August 2014

Cement mixer, pen, ink and acrylic paint marker, 30 August 2014

The Loading Dock Cafe, is exactly that, a cafe in the rear lane of West Row, in the centre of Canberra. Thankfully some very solid concrete bollards separate the cafe-goers from reversing vehicles.

View onto the lane from the Loading Dock Cafe, pen, ink and watercolour, 10 September 2013

View onto the lane from the Loading Dock Cafe, pen, ink and watercolour, 10 September 2013

Bean there!

This morning we decided to head out early-ish to the markets and have breakfast while we were there. We decided to eat at Bean and Grain, (where we have previously only stopped in for coffee and pastry). Good choice. While we were waiting I did a sketch of one of the staff members. I was going to include another person, but they were just moving too fast for me to draw.

Breakfast at Bean and Grain, pen and ink, 12 September 2014

Breakfast at Bean and Grain, pen and ink, 12 September 2014

Breakfast was really good. I had French toast brioche, with berries, bacon and passionfruit butter. The passionfruit butter was particularly lovely, creamy and full of flavour. Suffice to say it was such a good breakfast that I didn’t need to eat any lunch.

Three Sketches

Three sketches from the past week.

I borrowed my partner’s Rotring Tikky water proof pigment pen, 0.5 nib, to try it out with some watercolour. I like the line so I’ll probably get my own. There are several nib widths, both smaller and larger, so I might end up getting several.

Rotring pigment pen with watercolour, 5 September 2014

Rotring pigment pen with watercolour, 5 September 2014

I’m continuing to work on drawing people. This one is a combination of pen and ink and acrylic marker.

Portrait, pen and ink and acrylic marker, 6 September 2014

Portrait, pen and ink and acrylic marker, 6 September 2014

I continue to be captivated by construction. There is building work going on across the way from where we regularly buy coffee. Here is a look at the current state of scaffolding and wire safety fences. The biggest problem is the wire which was lighter in tone that the building behind it. I had trouble working out how to get the different grey tones working while I was on location, so I added some watercolour when I got home. When I scanned my amended version of the drawing  I could see that the upper half of the windows weren’t looking like they were part of the whole. So with some additional drawing I came up with the final version.

Three stages of the construction sketch, 9 September, pen, ink and watercolour.

Three stages of the construction sketch, 9 September, pen, ink and watercolour.

The final version, I’m hoping some impression of the fencing is given, without resorting to adding a white grid over the drawing. Perhaps in another drawing  I could focus on a much tighter section of the scene and see what I can do by  reserving the paper as part of the sketch.

Construction site with scaffolding and safety fencing, 10 September 2014

Construction site with scaffolding and safety fencing, 10 September 2014