It’s been awhile since I drew the dinosaur (replica) that resides next to our local cafe, so here she/he is.
Tag / pen and ink
Inspiration is for amateurs
I seem to be collecting artistic aphorisms lately. The full quote, from the artist Chuck Close is:
“Inspiration is for amateurs. The rest of us just show up and get to work.”
My old cat doesn’t seem to be paying much heed to Chuck. It was a coincidence that I still had my sketch book in my hand, looked up and decided to catch a quick pose from George (actually full name Georgina, but she rarely gets called that). Later the same day I spent rather more time drawing her asleep and butted up against my partner.
Cafe Wednesday and sundry others
At last we’ve made it back to our local cafe for Wednesday morning coffee.

What’s on the menu? Chocolate chip cupcake and a flat white coffee. 3 December 2014, pen and ink and Copic marker.
I also have a few other images which fit under the ‘cafe’ theme which I haven’t posted. Going backwards…
The strange third figure was actually the person, seated on the right, but they sat down too quickly to capture them in the standing position.
This dog wasn’t much more cooperative either. I thought it was asleep but it sat up and changed position several times, hence the multiple heads.
And ‘furthest from the front’, this view out the window of where I had lunch two weeks ago, the charmingly alliterative Long Wong Best BBQ Roast Duck cafe.
Drawn in – November
Its been quite a while since I went to one of the National Portrait Gallery’s Drawn In sessions. A friend suggested we go and so we joined lots of other people for an afternoon session of sketching and listening to some beautiful singing.
I managed 3 sketches in various styles and media. First a blind drawing in pencil of a floral arrangement in the area we were drawing.
A view to the display of portraits by Rick Amor in the gallery entrance.

Rick Amor, Gallery 1, National Portrait Gallery, Canberra, 30 November 2014, pencil, ink and watercolour.
The last was a still life and partial figure of the woman sitting in front of me.
After I’d finished drawing I went over to look more closely at the Rick Amor portraits which vaguely appear in my sketch. I was particularly interested in the preparatory drawings for Amor’s 1994 portrait of Gary Catalano.

Gary Catalano , 1994 by Rick Amor Gary Catalano, 1994 by Rick Amor pencil and watercolour on yellow paper (56.5 x 76.0 cm) Collection of the National Portrait Gallery of Australia
I was impressed by the economy of the drawings with no need for extensive explanatory detail.

Gary Catalano, 1994 by Rick Amor, oil on canvas (57.0 x 57.0 cm) , private collection.
Their adaptation to the final painting doesn’t lose the spareness conveyed by the drawings. There’s quite a lesson in that approach.
Profession – artist
“Are you an artist?” was something I often got asked when people saw me sitting , drawing, while I was in China. It always seemed easier to say yes, than go into some complicated discussion about what I do, but I found it difficult to say this without some vague feeling of being fraudulent. I’ve since realised that I’ve been missing the point completely. The Oxford English Dictionary defines the word ‘profession’ as follows:
“An occupation in which a professional knowledge of some subject, field or science is applied, a vocation or career, especially one that involves prolonged training and a formal qualification.”
And I’m not going to get hung up on the formal qualification bit either. It’s the concept of the application of knowledge combined with prolonged training that chimes with why I even bother to persist with drawing and why I am an artist. I am even more consoled by the words of the great Japanese artist Hokusai who explained:
“From the age of 6 I had a mania for drawing the shapes of things. When I was 50 I had published a universe of designs. But all I have done before the the age of 70 is not worth bothering with. At 75 I’ll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress. At 90 I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self ‘The Old Man Mad About Drawing.”
― Hokusai Katsushika
So I will promise to persist and with persistence I will become an even better artist. Hokusai sensei arigato gosaimashita! (Thank you Teacher Hokusai!).







