Some of the sketches I did on holidays proved to be too big for my scanner, so its taken some time, not to mention a bit of fiddling in photoshop to get them to a state where I can post them.
Here are three drawn in Thailand in date order.
Some of the sketches I did on holidays proved to be too big for my scanner, so its taken some time, not to mention a bit of fiddling in photoshop to get them to a state where I can post them.
Here are three drawn in Thailand in date order.
On the weekend I went to a talk by Jill Grant of Kimino YES, the sort of fabric store where the goods are had to resist. Apart from discussing some very interesting pieces of fabric that she brought along, Jill also showed us some of her own collection of Japanese textiles and related objects.
There was a Saga nishiki loom with its lacquer and gilt paper warp and silk weft. The paper warp is glued to the loom and woven with a highly twisted silk thread. (You can read more about Saga nishiki at Wormspit’s blog here). The loom also had an interesting folded paper heddle used to control the threads when weaving.
Here is a closer view of the warp, the lighter section at the bottom is where the silk thread has already been woven through the paper.
As you might well understand, this type of delicate work is used mainly for objects such as purses and brooches, that don’t require washing.
It turned out that Jill and I also share an interest in Japanese propaganda clothing – items with motifs such as aeroplanes and warships commonly made and worn during the 1930’s and 1940’s. The example Jill had was an exquisitely woven spun paper (shifu) and silk obi. In this case the paper is white and the thick silk blue, in a pattern of planes and clouds. The double cloth weaving technique means that each side shows the reverse colour to the other.
The reverse side.
Jill speculated that this was probably worn by the wife or close female relative of a Japanese pilot. I was excited to see such a beautiful piece of work. Thanks Jill.
So here we are back home after our fantastic holiday and the question is how to keep up the drawing momentum and not forget the lessons we learned at the Urban Sketchers symposium. OK we all know the answer, just keep drawing!
Last Sunday we took off down to the edge of Lake Burley-Griffin to draw in the warm winter sunshine. I selected the High Court, with the flags of the world in front and just a bit of the fairly-recently opened NGA Contemporary gallery.
Drawing landscapes is what I like doing, drawing people is my weak spot. Now it’s back to the cafes with a purpose. I aim to make at least one and preferably several sketches, each time I’m having my coffee. I’ve also realised that our pub trivia venue is a good place to capture faces and figures as people tend to sit still, or at least still-er while the quiz is underway. There’s only one ‘ax-murderer’ in this lot – I must be learning something!
We also came back from Singapore groaning under the weight of new art supplies. Not only were the symposium sponsors extremely generous (thanks to Moleskine, Leuchtturm, Creatacolor, Caran D’Ache, Pen Up, Shop Oryx, ShinHanart, Super5, Stillman & Birn, Art Friend, Worther, Arters, Straits Arts, Bynd Artisan and Laloran); we bought lots of supplies at Art Friend and the small but beautifully formed Straits Arts (so much cheaper than in Australia); and we also scored some great prizes in the mega raffle. To add to the haul I also received a very delayed parcel of art supplies from a local supplier in my mail when I got home!
One of our purchases in Singapore was lots of empty half-pans (only to find another 50 in my parcel on my return!). My partner has also been on the lookout for some small metal tins, to make some very compact watercolour sets, (Altoids not being commonly around in Australia). Anyway, we found these tins in Bangkok and they are just right for 9 half pans. At 5 cms x 7.5 cms they are very compact. Given that one of the prizes my partner scored was a set of 32 tubes of watercolour paint we have almost endless colour options to choose from.
We loved the quirkiness of our new hotel, not to mention the free wifi. But what turned out to be one of its greatest assets was the bar area at the front of the hotel which was open to the street. We could sit here and sketch in comfort with a cup of coffee or a glass of something stronger by our side. It was also a great place to meet people, including the three other sketchers who had been in Singapore at the Symposium, and were staying at the hotel as well.
In the lanes around the hotel were many vendors selling just about everything from coffins to fresh fruit.
I’m not sure of how the street stall system works in Bangkok, but people clearly had their ‘regular’ position. This was the vendor selling roast chestnuts out the front of the hotel.
I really loved being able to just sit and enjoy watching the people passing on the street and on Friday night the joint was really jumping. It was also raining heavily so while the kitchen was under cover,
the wait staff just had to improvise!
After a fantastic time in Singapore we flew the short distance to Bangkok, for our first stay in Thailand. First stop was the luxurious Metropolitan Hotel, where we had our special treat of a package that included dinner at David Thompson’s Nahm restaurant. We also enjoyed the large pool from where I sketched the view looking towards the restaurant and the lush gardens bordering the property. We even saw a squirrel running along the powerline as we lay back on the pool deck.
We also enjoyed breakfast which I had to sketch quickly before devouring. The colour came later on.
And I had to do it all again the next morning!

Breakfast at Glow, Pumpkin and buckwheat pancakes with papaya nectar and orange and cashew nut paste
But all this luxe living had to come to an end. We moved to a smaller boutique hotel in Chinatown, appropriately named Shanghai Mansion. The hotel evokes 1930’s in Shanghai and was wonderfully atmospheric and a great location to enjoy the other aspect of Bangkok that we had come to explore, which was it’s street food and street life.