On the weekend I went to a talk by Jill Grant of Kimino YES, the sort of fabric store where the goods are had to resist. Apart from discussing some very interesting pieces of fabric that she brought along, Jill also showed us some of her own collection of Japanese textiles and related objects.
There was a Saga nishiki loom with its lacquer and gilt paper warp and silk weft. The paper warp is glued to the loom and woven with a highly twisted silk thread. (You can read more about Saga nishiki at Wormspit’s blog here). The loom also had an interesting folded paper heddle used to control the threads when weaving.
Here is a closer view of the warp, the lighter section at the bottom is where the silk thread has already been woven through the paper.
As you might well understand, this type of delicate work is used mainly for objects such as purses and brooches, that don’t require washing.
It turned out that Jill and I also share an interest in Japanese propaganda clothing – items with motifs such as aeroplanes and warships commonly made and worn during the 1930’s and 1940’s. The example Jill had was an exquisitely woven spun paper (shifu) and silk obi. In this case the paper is white and the thick silk blue, in a pattern of planes and clouds. The double cloth weaving technique means that each side shows the reverse colour to the other.
The reverse side.
Jill speculated that this was probably worn by the wife or close female relative of a Japanese pilot. I was excited to see such a beautiful piece of work. Thanks Jill.
my goodness…looks so complex but great pictures
Yes it is amazing work. Like many Japanese textiles the technical standard, not to mention the aesthetic, is very high.