Sketching at the War Memorial

It might have been overcast today but we had a good turn out to the monthly get together of the Canberra Sketchers Group at the Australian War Memorial (AWM) – including 5 people who came along for the first time. Having briefly met for a quick chat and orientation everyone dispersed to draw.

Group photo time, the AWM behind us.

Group photo time, the AWM behind us.

The Memorial building itself is interesting and there are so many different perspectives that is can be hard to choose just one spot to draw from. On previous visits I had discovered, not that it is hard to spot, the bridge of the HMAS Brisbane – the whole top section of the battleship – which was removed and re-sited in the grounds of the memorial. Today’s cooler temperature meant that I could spend all the time I wanted to get the sketch done.

The bridge of the HMAS Brisbane with the Auatralian War Memorial in the background, watercolour and brush pen, 6 September 2015

The bridge of the HMAS Brisbane with the Auatralian War Memorial in the background, watercolour and brush pen, 6 September 2015

Afterwards we got together in Poppies cafe for coffee, chat and comparison of our sketches. As always it was fascinating to see the various styles and subjects of everyone’s drawings.

Our collective efforts!

Our collective efforts!

The next Canberra Sketchers Group sketchwalk will be on 4 October, 10.30 am, we will be meeting to sketch at Floriade, Canberra’s annual floral festival. If you will be in Canberra you would be welcome to come along. For more details please contact me through the link at the top of this page.

Tidbinbilla tracking

My partner and I have been taking the new online class by Marc Taro Holmes on Travel Sketching. Today we decided to to practice some of the drawing approaches that Marc has been teaching. We headed out to the Tidbinbilla Tracking Station, (otherwise known as the Canberra Deep Space Communication Complex – CDSCC), in the rural part of the Australian Capital Territory, to draw the antennae in their bushland setting.

One of the key techniques we are learning is drawing simplified shapes to quickly gather enough information to capture a scene. This way you can do some drawing and still have sufficient time away from your sketchbook to enjoy your holiday! The goal is to capture basic shapes in one line, or maybe 5 or so lines, which I find quite hard to do.

The ‘blind contour drawing’ I learned at art school tends to be my default position when drawing quickly. It’s actually a good approach, but it’s not quite what Marc is suggesting. The difference with Marc’s approach is that you look frequently at your page as well as your subject and that allows the development of a more accurate outline. If you have time, you can then add further lines and build up your drawing that way. I have worked out that if I think about this as drawing the ‘edges’ then my drawings are more successful. I get less inclined to get bogged down in details along the way. I was pretty happy with this drawing I made of a local convenience store earlier in the day, well except for that very dodgy car welded the side of the building.

A simplified line drawing in pen and ink, 31 August 2015

A simplified line drawing in pen and ink, 31 August 2015

Out at Tidbinbilla there were plenty of interesting subjects to tackle. I settled on the 26 metre dish, or DSS46, (formerly sited at Honeysuckle Creek), that was the antenna that received and relayed to the world the first historic pictures of man walking on the Moon, on Monday, 21st July 1969. As the Centre’s website so eloquently says “DSS46 was retired from service in November 2009 and now remains at CDSCC as celebrated and recognised historic monument.”

While I could hardly describe the following drawing as using one or two lines, it certainly captured the key elements of the scene in front of me with more economy than I usually manage. I will admit though, that I also made several other drawings, which I could only politely describe as being ‘less successful’.

Simplified line drawing of the 26 metre dish, pen and ink, 31 August 2015

Simplified line drawing of the 26 metre dish, DSS46, pen and ink, 31 August 2015

I liked the scene enough to try a more detailed drawing. Having completed a simplified outline I moved on to providing  some solidity with shadow lines drawn with my brush pen. It didn’t take long to realise that the structure of the antenna was such that I’d probably go insane before I could get more than a ‘feel’ for the structure of struts and beams supporting the dish.

The 26 metre antenna, line and shadow, pen and ink and brush pen, 31 August 2015

The 26 metre antenna,DSS46, line and shadow, pen and ink and brush pen, 31 August 2015

At this point we made a strategic withdrawal to the coffee shop. Of course from the cafe’s deck the 70 metre antenna, DSS43, completely dominated the view – not surprising really as it is the largest single antenna in the southern hemisphere. It’s been busy recently with transmitting commands and receiving data from the Mars Odyssey and the New Horizons Pluto and Charon missions among many others.

I couldn’t resist! With a rapidly cooling cup of coffee I set about doing my final drawing for the day.

DSS43, the 70 metre antenna, pen and ink, brush pen and watercolour, 31 August 2015

DSS43, the 70 metre antenna, pen and ink, brush pen and watercolour, 31 August 2015

We are lucky to have so many interesting places, like the tracking station, to visit within our local area. It’s an amazing combination of leading edge technology in a truly beautiful setting.

Cafe Wednesday panorama

I had so much fun with last week’s panorama that I decided to go with the same format again this week.

The weather was vile with a cutting icy wind so instead of our regular cafe which has very little by way of wind-free tables we decided to try somewhere else with indoor seating. Our choice was A Bite to Eat at the Chifley shops. In Canberra most of the good and quirky cafes are hidden in otherwise unremarkable suburban shopping precincts. The Bite has a retro vibe with lots of anodised food molds on the wall and large laminex topped tables I could easily spread my book and paints out on. And the Persian Spice cake was really yummy too!

A Bite to Eat, watercolour, pen and ink and graphite, 26 August 2015

A Bite to Eat, watercolour, pen and ink and graphite, 26 August 2015

Cafe Wednesday combo

Post overseas travel and we are finally getting back to our routines. This week we have made it back to our regular Wednesday cafe. To hang onto that holiday magic just a bit longer I decided to use the Derwent Panoramic book which I won in the final raffle at the Urban Sketchers International Symposium in Singapore. The paper format is 420x 180 mms and weighs in at 165 GSM. This paper is designed for pencil and light watercolour wash.

I wanted to use the extended panorama format to bring a more interesting compositional approach to this very familiar subject. I had in mind the workshop I did on Day 1 with Inma Serrano and Miguel Herranz where we were working on capturing a complex scenes in a series of images on the one page.

At Biginelli's along with the dinosaur, watercolour and watersoluble graphite, 19 August 2015

At Biginelli’s along with the dinosaur, watercolour and watersoluble graphite, 19 August 2015

I knew I was pushing the paper’s limits with the amount of water I added to the paper, but it seems to have held up quite well to the watercolour, although there was buckling. The elastic strap on the book has helped tame the ‘buckle’ factor. I also intend using this book for pen and ink and brush pen sketches and plan to take it along to some of the other events we attend such as Drawn In and Dr Sketchy where I feel the large format will enable me to make a montage of images. We will see.

PS I’m not sure what the current availability of this book is. I have seen it on offer at various websites, but I couldn’t find it on Derwent’s home page product list. If you want to try this format you might need to get one sooner rather than later.

The bigger pictures

Some of the sketches I did on holidays proved to be too big for my scanner, so its taken some time, not to mention a bit of fiddling in photoshop to get them to a state where I can post them.

Here are three drawn in Thailand in date order.

The Reclining Budhha, Ayutthaya, Thailand, watercolour, 30 July 2015

The Reclining Budhha, Ayutthaya, Thailand, watercolour, 30 July 2015

Remains of the Palace Ayutthaya

Remains of the Palace Ayutthaya, watercolour and graphite, 30 July 2015

Inside the Grand Palace Bangkok, pen and ink 2 August 2015

Inside the Grand Palace Bangkok, pen and ink 2 August 2015