Federation Rocks

It would have to rank as one of the weirder birthday presents, but when the city of Canberra turned 100, in 2013, we got a set of boulders, one from each state and territory in the Commonwealth of Australia. They are collectively known as the Federation Rocks. We stumbled across this place when we followed a small stub of a road to see what was there.

Each boulder, with the exception of the ironstone from WA, has a small ‘window’ where the surface has been polished so you can enjoy the beauty of these rocks. They also have a descriptive plaque attached to them, hence the odd rectangle in the painting below.

23Dec2015a

Queensland’s contribution, a limestone boulder from Chinaman Creek, studded with marine fossils, 23 December 2015, graphite and watercolour

While the Chinaman Creek boulder from Queensland is the most dramatic of these boulders, I do enjoy the way they have been placed in a graceful arc.

23Dec2015

From foreground to the rear, Chinaman Creek limestone (Queensland); My Goyder Syenite (Northern Territory); and Canberra Limestone, (Australian Capital Territory). 23 December 2015, graphite and watercolour 

The ironstone boulder from Western Australia is the oldest in the collection coming in at nearly 2.5 million years old. The colours in it are so beautiful.

Ironstone

Brockman Formation ironstone, 2490-2450 million years old. Now that’s ageing gracefully!

At present these boulders grace a turning circle and small parking area which appears to be home to every spare road sign in Canberra. While I was drawing the boulders one of my sketching companions had lots of fun capturing the absurdity that is that turning circle.

There are plans for greater usage of this area. It is to be the entry point to the National Rock Garden, a relative to the National Arboretum which is located up the hill from this area. If you like quirky tourist destinations then I suggest you give this one a go.

The Federation Rocks are located at the corner of Lady Denman Drive and Barrenjoey Drive, (close to the National Arboretum), just drive the two hundred metres to the end of Barrenjoey Drive to find them.

Tidbinbilla tracking

My partner and I have been taking the new online class by Marc Taro Holmes on Travel Sketching. Today we decided to to practice some of the drawing approaches that Marc has been teaching. We headed out to the Tidbinbilla Tracking Station, (otherwise known as the Canberra Deep Space Communication Complex – CDSCC), in the rural part of the Australian Capital Territory, to draw the antennae in their bushland setting.

One of the key techniques we are learning is drawing simplified shapes to quickly gather enough information to capture a scene. This way you can do some drawing and still have sufficient time away from your sketchbook to enjoy your holiday! The goal is to capture basic shapes in one line, or maybe 5 or so lines, which I find quite hard to do.

The ‘blind contour drawing’ I learned at art school tends to be my default position when drawing quickly. It’s actually a good approach, but it’s not quite what Marc is suggesting. The difference with Marc’s approach is that you look frequently at your page as well as your subject and that allows the development of a more accurate outline. If you have time, you can then add further lines and build up your drawing that way. I have worked out that if I think about this as drawing the ‘edges’ then my drawings are more successful. I get less inclined to get bogged down in details along the way. I was pretty happy with this drawing I made of a local convenience store earlier in the day, well except for that very dodgy car welded the side of the building.

A simplified line drawing in pen and ink, 31 August 2015

A simplified line drawing in pen and ink, 31 August 2015

Out at Tidbinbilla there were plenty of interesting subjects to tackle. I settled on the 26 metre dish, or DSS46, (formerly sited at Honeysuckle Creek), that was the antenna that received and relayed to the world the first historic pictures of man walking on the Moon, on Monday, 21st July 1969. As the Centre’s website so eloquently says “DSS46 was retired from service in November 2009 and now remains at CDSCC as celebrated and recognised historic monument.”

While I could hardly describe the following drawing as using one or two lines, it certainly captured the key elements of the scene in front of me with more economy than I usually manage. I will admit though, that I also made several other drawings, which I could only politely describe as being ‘less successful’.

Simplified line drawing of the 26 metre dish, pen and ink, 31 August 2015

Simplified line drawing of the 26 metre dish, DSS46, pen and ink, 31 August 2015

I liked the scene enough to try a more detailed drawing. Having completed a simplified outline I moved on to providing  some solidity with shadow lines drawn with my brush pen. It didn’t take long to realise that the structure of the antenna was such that I’d probably go insane before I could get more than a ‘feel’ for the structure of struts and beams supporting the dish.

The 26 metre antenna, line and shadow, pen and ink and brush pen, 31 August 2015

The 26 metre antenna,DSS46, line and shadow, pen and ink and brush pen, 31 August 2015

At this point we made a strategic withdrawal to the coffee shop. Of course from the cafe’s deck the 70 metre antenna, DSS43, completely dominated the view – not surprising really as it is the largest single antenna in the southern hemisphere. It’s been busy recently with transmitting commands and receiving data from the Mars Odyssey and the New Horizons Pluto and Charon missions among many others.

I couldn’t resist! With a rapidly cooling cup of coffee I set about doing my final drawing for the day.

DSS43, the 70 metre antenna, pen and ink, brush pen and watercolour, 31 August 2015

DSS43, the 70 metre antenna, pen and ink, brush pen and watercolour, 31 August 2015

We are lucky to have so many interesting places, like the tracking station, to visit within our local area. It’s an amazing combination of leading edge technology in a truly beautiful setting.