Treading the fine line

Using my Copic Multiliner pen, is certainly influencing my drawing style. With such a fine line I’m inclined to spend more time putting in detail, which in this drawing meant that I took far too long capturing the people and spent too much time working on the background. *Message to self – people first and background later.

Friday lunchtime, friends picnicing at Green Square, Kingston ACT, Copic marker, 5 December 2014.

Friday lunchtime, friends picnicing at Green Square, Kingston ACT, Copic marker, 5 December 2014.

There is another issue that I’ll also have to work on, the almost overwhelming urge to use cross-hatching! Arghhh! In this second drawing my smooth plastic water tank ended up looking like a piece of 1970’s macrame. The hatching also upsets the balance of the drawing.

Old Chairs near the water tank, Copic Multiliner, 12 December 2014

Old Chairs near the water tank, Copic Multiliner, 12 December 2014

While I still like the composition this piece didn’t turn out like I expected. I was going to say didn’t turn out like I ‘planned’, but I didn’t ‘plan’ anything about this drawing except for where I was going to sit and what I going to make the drawing with.

So there are several things I need to work on here. Given that I’m not likely to get around taking the chairs to the re-cycling centre in the next little while I think I’ll try the drawing the same composition again. I will also vary the media I use and see how how that changes the work. Live and learn.

Cafe Wednesday and sundry others

At last we’ve made it back to our local cafe for Wednesday morning coffee.

What's on the menu? Chocolate chip cupcake and a flat white coffee. 3 December 2014, pen and ink and Copic marker.

What’s on the menu? Chocolate chip cupcake and a flat white coffee. 3 December 2014, pen and ink and Copic marker.

I also have a few other images which fit under the ‘cafe’ theme which I haven’t posted. Going backwards…

The Italian Bakery at Mawson, people and umbrellas, 2 December 2014, Copic marker.

The Italian Bakery at Mawson, people and umbrellas, 2 December 2014, Copic marker.

The strange third figure was actually the person, seated on the right, but they sat down too quickly to capture them in the standing position.

This dog wasn’t much more cooperative either. I thought it was asleep but it sat up and changed position several times, hence the multiple heads.

Dog at the Italian Bakery, Mawson, 29 November 2014, pen

Dog at the Italian Bakery, Mawson, 29 November 2014, pen

And ‘furthest from the front’, this view out the window of where I had lunch two weeks ago, the charmingly alliterative Long Wong Best BBQ Roast Duck cafe.

Not in China anymore, the view from the Long Wong Best BBQ Roast Duck restaurant, Dickson, 24 November 2014, Copic marker and acrylic marker.

Not in China anymore, the view from the Long Wong Best BBQ Roast Duck restaurant, Dickson, 24 November 2014, Copic marker and acrylic marker.

Profession – artist

“Are you an artist?” was something I often got asked when people saw me sitting , drawing, while I was  in China. It always seemed easier to say yes, than go into some complicated discussion about what I do, but I found it difficult to say this without some vague feeling of being fraudulent. I’ve since realised that I’ve been missing the point completely. The Oxford English Dictionary defines the word ‘profession’ as follows:

“An occupation in which a professional knowledge of some subject, field or science is applied, a vocation or career, especially one that involves prolonged training and a formal qualification.”

And I’m not going to get hung up on the formal qualification bit either. It’s the concept of the application of knowledge combined with prolonged training that chimes with why I even bother to persist with drawing and why I am an artist. I am even more consoled by the words of the great Japanese artist Hokusai who explained:

“From the age of 6 I had a mania for drawing the shapes of things. When I was 50 I had published a universe of designs. But all I have done before the the age of 70 is not worth bothering with. At 75 I’ll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress. At 90 I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self ‘The Old Man Mad About Drawing.”
Hokusai Katsushika

So I will promise to persist and with persistence I will become an even better artist. Hokusai sensei arigato gosaimashita! (Thank you Teacher Hokusai!).

The Orange Ironing Board, 27 November 2014, pen and ink and watercolour

The Orange Ironing Board, 27 November 2014, pen and ink and watercolour

 

Leaving on a jet plane

While I’m still in travel mode I’ll share three airport drawings from my recent travels.

Sydney Airport food court on our way out of Australia.

Sydney Airport food court and signage, 18 October2014, pen and ink and acrylic marker

Sydney Airport food court and signage, 18 October2014, pen and ink and acrylic marker

Waiting at Guilin Airport waiting for our flight to Kunming.

The curved ceiling of Guilin Airport with ceramics for sale, 28 October 2014, Copic marker

The curved ceiling of Guilin Airport with ceramics for sale, 28 October 2014, Copic marker

Our return flight from Adelaide, in the Qantas Club Lounge, looking out over the airport forecourt.

In the Qantas Club Lounge, 18 November 2014, Copic marker and Pit artist pen.

In the Qantas Club Lounge, 18 November 2014, Copic marker and Pit artist pen.

Dogs, abstracted and otherwise

Back in the land of Oz and we had barely been home for two days before we had to hop on a plane again to celebrate a family wedding interstate. I was still in a drawing frame of mind and what caught my eye over those few days were dogs.
In the airport lounge in Canberra two plastic ‘Puppy’ dogs (designed by Eero Arnio for Magis Me Too), were placed looking out onto the tarmac, waiting for some children to play with them.

Green plastic 'Puppy', Canberra Airport 14 November 2014, ballpoint pen

Green plastic ‘Puppy’, Canberra Airport 14 November 2014, ballpoint pen

Two days later we were in the Art Gallery of South Australia and found a Haniwa dog. These terracotta sculptures were made in Japan in the Kofun period (3rd to 6th century AD) and were used as tomb markers. They are fairly abstract shapes and this one looks quite chunky. The face looks rather like that of a pig to me, but I think this is a result of the coil technique used to build the clay figures making more of a snout than a tapered dogs nose. What you can’t see from this sketch is the curled tail that of a Japanese akita dog.

Haniwa dog, circa 6th C AD, from the collection of Andrew and Hiroko Gwinnett, on display at the Art Gallery of South Australia, 16 November 2014, Copic multiliner

Haniwa dog, circa 6th C AD, from the collection of Andrew and Hiroko Gwinnett, on display at the Art Gallery of South Australia, 16 November 2014, Copic multiliner

Finally I couldn’t leave out Sam, the Old English Sheepdog, who’s house we were staying at.

Sam the Old English Sheepdog, asleep under the table, 17 November 2014, Copic multiliner

Sam the Old English Sheepdog, asleep under the table, 17 November 2014, Copic multiliner