A fistful of cafes

I have been refining my coffee sketching process this year, applying the KISS principle (‘keep it simple stupid’) to what I carry in my bag for impromptu sketching sessions. A test card of watercolours, a pencil, a pen and a waterbrush and a ‘book’ made from one sheet of A3 watercolour paper. Both the book and the colour card fit into a plastic sleeve from an old bank passbook (gosh, do you remember those?). Here’s a shot of the set up.

Each A3 sheet is folded in half horizontally to make two panorama style pages. These are folded in half then sewn together through the fold. Each side of the panorama is the folded in half again (as you can see in the photo above), which means the final size all folded up fits in the plastic sleeve.

The completed booklet

Here are sketches from my latest book. What I really like is that, depending on your layout you can sketch over part, or the full stretch of the page.

Cafe sketch, watercolour and graphite

Celebrating ‘National (read USA) Pencil Day’, the day the first pencil with attached eraser was patented in 1858

Inspired by the woman with the red hair, watercolour and graphite

Reading the papers with the rest of the retirees, pen and ink

Arborists clearing our trees from the powerlines. The left hand page of a full spread.

Shredding the prunings, the right hand page of the full spread

At the markets, pen and ink with watercolour

A final cafe sketch for the week. Watercolour and ink.

Ultimately I plan to bind these booklets together into a single book.

Architectural details

My sketching has taken a sudden swerve into architecture this past weekend. I visited two historic buildings in Canberra from different periods built in very different styles.

On Saturday we were in Kingston near the Fitter’s Workshop. Built in 1916-17, the Fitter’s Workshop is part of a complex of early Canberra industrial buildings that is being converted into an arts precinct. The Fitters Workshop was designed by John Smith Murdoch, better known as the architect of the original Parliament House (commonly referred to now as Old Parliament House). On close inspection it’s apparently simple lines reveal a refinement of detail not normally seen on utilitarian buildings.

Detail of a window, the Fitter's Workshop. Graphite and white chalk on gray-toned paper.

Detail of a window, the Fitter’s Workshop, 1916-17. Graphite and white chalk on gray-toned paper.

On the southern outskirts of Canberra is the Lanyon Homestead.  First settled by European squatters in the early 1830’s the land was granted to James Wright and John Lanyon in 1834. The Urban Sketchers Canberra group had visited here last year, but we weren’t able to make it then so we were finally making up for that outing.

We walked around the buildings and gardens trying to decide what to sketch. My eye kept coming back to the bell on the kitchen building’s roof. The kitchen complex, which also includes a cook’s room and cold store was built in the 1830’s. The bell and it’s supporting structure reminds me of an old south-western US mission bell, although Wright was supposedly influenced by the vernacular styles of his native Derbyshire.

The bell on the kitchen block, Lanyon Homestead, circa 1830s. Coloured pencil and graphite

The bell on the kitchen block, Lanyon Homestead, circa 1830s. Coloured pencil and graphite

I tried several versions of this sketch before I decided to focus solely on the bell and leave the steeply pitched roof and nearby buildings for another time.

After, I moved to sketch the farm buildings on the other side of the homestead. One of these buildings was the housing for the convict labourers who were first grated to Wright in 1835. I found the simple block style a contrast to the farm and bushland that formed the background. I also decided to simplify that landscape to emphasise the contrast with man-made structures.

Convict accomodation at Lanyon Homestead. Coloured pencil and graphite

Convict accomodation at Lanyon Homestead. Coloured pencil and graphite

Urban Sketchers Canberra – March into Manuka

We had a solid roll-up of 12 people at our March sketchwalk, held in the shopping area of Manuka (Canberra’s most up-market retail centre). The cafes were alive with people eating, sipping coffees and catching up with the Sunday papers.
I only had to move a few metres to a convenient bench from where I could draw this couple sitting and reading. They were there for quite a while so I had plenty of time to sketch them.

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Couple reading, Koh-i-nor Magic pencil, white chalk and graphite, 6 March 2016

I walked down  a nearby laneway where I found some amusing quotations on the walls (tongues firmly in their cheeks).

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Shopping, coloured pencil, white chalk and graphite, 6 March 2016

With only 20 minutes to sketch before our meet up time, I did a blind drawing of one of the sculptures on the footpath.

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Gather by Matthew Tobin, 2007, ink, brush pen and coloured pencil, 6 Mrach 2016

Our ‘in house’ photographer spent the morning walking around capturing the crew in action. If you would like to see some of the photos or other drawings the Urban Sketchers Canberra Facebook page.

Concrete Cafe

In my first post knee-surgery outing (as opposed to doctor’s visits) we went to our local cafe. Changes, by way of a major upgrade of the pavement and landscaping of the shops, are well underway and the dinosaur is on a leave of absence. Instead there was a concreting crew waiting to pour several large slabs which will form the new, level area for seating.

Don't forget to check your pens!

Don’t forget to check your pens!

You can tell I’m a bit rusty because I made a real beginner mistake – I forgot to check my pens before I left. One was completely out of ink and the other has a dodgy nib that really needs changing.

It took a while to get going with the sketches as I fiddled around finding a pencil and approach that I was happy with. In the end I began by focusing in some of the boots that were sitting ready to be used.

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Gumboots and smoothing the edge, graphite, white chalk and coloured pencil

Then the concrete truck arrived and before I knew it I had sketched a group of labourers that Kazimir Malevich would have been proud of.

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Quick movement as the man spread the concrete.

By way of comparison here is one of Kazimir’s.

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Kazimir Malevich, The woodcutter, 1912, Collection Stedelijk Museum Amsterdam

There were several slabs to be poured so I managed to capture the action by loking for the repetitive movements.

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Edge detailing and more work boots, graphite and magic pencil

I really enjoyed trying to capture the way the men moved, although clearly bad backs are an outcome of such work.

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Spreading the concrete, graphite, magic pencil and white chalk

Material concerns

Sketching materials often cause me a dilemma. Like many sketchers I run the risk of paralysis from too much choice. When I made my trip to Brisbane last week I decided on one sketchbook – a grey-tone Strathmore and a limited selection of pens/pencils. My main pencils were Koh-i-noor Magic pencils, so I couldn’t ‘control’ to any extent  the colours that came out. I didn’t know whether I could do it! Indeed I did resort to one digital drawing.

Brisbane River Bridges, digital drawing on PS Touch app (for Android)

Brisbane River Bridges, digital drawing on PS Touch app (for Android)

Despite this small detour I did get back on track.This sketch uses only coloured pencil and white chalk. I used several types of the Magic pencils: Original, Fire and America.

Late afternoon sun on the Storey Bridge Brisbane, coloured pencil, white chalk, 20 January 2016

Late afternoon sun on the Storey Bridge Brisbane, coloured pencil, white chalk, 20 January 2016

The next day we took our sketch books up to the Roma St Parklands where the twisting shapes of the Moreton Bay figs captured my attention.

Fig tree, Roma Street Parklands, white chalk, graphite and coloured pencil, 21 January 2016

Fig tree, Roma Street Parklands, white chalk, graphite and coloured pencil, 21 January 2016

Back home I realised that I hadn’t picked up a pencil in days so I grabbed what was to hand, a green Artline fibre pen and my black ink pen and got down to it.

Backyard, green fineline pen and ink, 29 January 2016

Backyard, green fine line pen and ink, 29 January 2016

It can be a challenge just getting past that ‘perfection’ monkey, but it’s always worth getting out and just drawing.