February 4, 2016 by Leonie Andrews

The Titan Aram

Horticultural types have been aghast with excitement at the second flowering of a Titan Arum lily (Amorphophaĺlus titanum) in the precincts of the Adelaide Botanic Gardens within weeks (the first flowered at the end of December 2015).

This second bloom, named “Ganteng”, or ‘handsome’, in Indonesian, started flowering on Sunday. I caught the story on the Sunday news so, as we were already visiting the family in Adelaide, getting to the gardens became a priority.

Thousands of people have visited the Bicentennial Conservatory since the flower first opened so we were relieved to find that by the time we arrived on Wednesday there not many people there at all. I made two drawings of the plant, both from the overhead walkway in the conservatory.

The Titan Arum, pencil on grey-toned paper, 3 February 2016

In the second drawing i tried to capture some of the excitement and interest viewing the flower has generated.

I’m not sure how long the flower will be on display, as it is curling up almost as fast as it unfurled. I’d love to get back and have another go at drawing it.

January 29, 2016January 29, 2016 by Leonie Andrews

Material concerns

Sketching materials often cause me a dilemma. Like many sketchers I run the risk of paralysis from too much choice. When I made my trip to Brisbane last week I decided on one sketchbook – a grey-tone Strathmore and a limited selection of pens/pencils. My main pencils were Koh-i-noor Magic pencils, so I couldn’t ‘control’ to any extent the colours that came out. I didn’t know whether I could do it! Indeed I did resort to one digital drawing.

Brisbane River Bridges, digital drawing on PS Touch app (for Android)

Despite this small detour I did get back on track.This sketch uses only coloured pencil and white chalk. I used several types of the Magic pencils: Original, Fire and America.

Late afternoon sun on the Storey Bridge Brisbane, coloured pencil, white chalk, 20 January 2016

The next day we took our sketch books up to the Roma St Parklands where the twisting shapes of the Moreton Bay figs captured my attention.

Fig tree, Roma Street Parklands, white chalk, graphite and coloured pencil, 21 January 2016

Back home I realised that I hadn’t picked up a pencil in days so I grabbed what was to hand, a green Artline fibre pen and my black ink pen and got down to it.

Backyard, green fine line pen and ink, 29 January 2016

It can be a challenge just getting past that ‘perfection’ monkey, but it’s always worth getting out and just drawing.

January 28, 2016January 28, 2016 by Leonie Andrews

Paperboat for an Inland Sea

Here’s a photo for those of you who kindly inquired about the work I sold in the Gold Coast Art Prize. I understand it will be moving to Sydney.

Paperboat for an Inland Sea, cotton stitch on canvas, 25.5 X 73.3 cm, dimensions variable. Found on the roadside in western NSW, a paperboat for an inland sea.

January 23, 2016January 23, 2016 by Leonie Andrews

Drawing the Exhibition – Asia Pacific Triennial 8 (APT8)

We took advantage of the post-Christmas airline sales to grab a cheap flight to Brisbane during the week to make a flying visit to the Gold Coast City Art Gallery and the Queensland Art Gallery and Gallery of Modern Art. The first because I wanted to see the Gold Coast Art Prize that my piece Paperboat for an Inland Sea was selected into and then to spend a day at APT8 in Brisbane. And yeah, my work in the Gold Coast Art Prize has been sold!

Anyway back to APT8. It’s a really big exhibition to take in in one day. Spread across both the Gallery of Modern Art (GOMA) and the Queensland Art Gallery (QAG) we had a lot of works to cover. As is often the way with these big shows there are many works that take up a lot of space – and that’s about as exciting as some of them get. Then there are lots of video works – for the most part they don’t really float my boat. So finding the good stuff can take time. Thankfully the first place we headed, on the ground floor of GOMA, had one of my favourite pieces and it was BIG.

Min Thein Sung‘s Another Realm (horses) 2015, is a giant puppet of three horses that hangs against a background of two walls of comic book pages.

Min Thein Sung, Another Realm (horses) 2015, my sketch, graphite and chalk on grey toned paper

I didn’t want to ‘spoil’ my first sketch, so I did another focusing on the detail of one of the horses head and using one of my Koh-i-noor Magic pencils to indicate the comic book pages behind.

Detail of the head of one of the horses, Min Thein Sung Another Realm (horses), 2015, my sketch graphite, white chalk and coloured pencil on grey-toned paper

We made it through two floors of GOMA before deciding to have an early lunch. While we were waiting to eat we had fun watching the Sacred Ibis scrounging for food around the outdoor tables of the cafe. I know they can be a nuisance but it was quite amusing to see them negotiate the polished concrete floors, which clearly weren’t suited to their large spreading toes. Each step was taken with a small skid. No bird ever slipped too badly but they clearly have had to learn to skate their way around.

Sacred Ibis, white chalk, pen and ink.

After lunch we went to the Queensland Art Gallery (just a short 150 metres away) where I was thrilled to find the section of APT8 in Gallery 4 called Kalpa Vrishka: Contemporary Indigenous and Vernacular Art of India. This whole gallery was, for me, by far the best part of APT 8.

Key works for me were the Warli paintings of white on cow-dung coloured paper.

Detail of Diwali, by Rajesh Chaitya Vangad

The central screened area with sculptured Rajwar figures and objects.

Figures by Bhagat Ram Rajawar

Not to mention the beautifully detailed paintings of the Pardhan Gond artist Venkat Raman Singh Shyam.

Under the Tree, 2015, Venkat Raman Singh Shyam

That’s the thing with the Asia Pacific Triennial, you never know just what unknown artist/s work will just grab you by your imagination and take you somewhere unexpected in the world. Always worth the visit – see it if you can, otherwise you can check out this video link.

January 14, 2016 by Leonie Andrews

Taking the line to the landscape

Following on from my ‘two pencil’ practice in my last post, I decided to try the technique out on some nearby landscapes. We are down at the coast for a week. At one end of the beach are some small but interesting cliffs, full of bulges and striations, layers and different colours.

The cliff at the northern end of Long Beach, near Bateman's Bay, NSW. Graphite, coloured pencil, gel pen and watercolour

I had so much fun working on this piece. As I was by myself I had plenty of time to fill the whole page with colour. In trying to keep the loose approach I applied my paint with some small sticks I picked up on the sand.
I’ve done two more drawings since, but I haven’t had as much time to work on them.

Snapper Island from Surfside. Graphite, colour pencils, gel pen and watercolour.

The bay and nearby coast provide plenty of subjects to sketch. My most recent one is a bit further down the coast at Guerrilla Bay, one of the most popular dive and snorkeling sites around. Jimmy’s Islet protects the bay from the worst of the weather.

Jimmy's Islet in Guerilla Bay NSW. Watercolour, ink, graphite and coloured pencils

We’ve snorkeled here for the past two days. The variety and number of fish and the size of the various seashells makes you realise just how degraded many coastal areas are. This bay is part of a marine park so we have had some great experiences particularly spotting Banjo Sharks on both days.