Seen in Sydney

While in Newcastle for the Fetish exhibition I took the opportunity to take a quick trip to Sydney to see the Kamisaka Sekka exhibition, Dawn of Modern Japanese Design, at the Art Gallery of NSW.

I’m glad I made the visit to see the exquisite work of this designer. The show is displayed over two floors and is drawn largely from works from the Hosomi Museum in Kyoto.The introduction to the exhibition shows works from a number of artists of the Rinpa School who influenced Sekka’s work.

Ogata_kenzan

This plate with decoration by Ogata Kenzan of Chinese bellflowers (1712-1731) is a particular favourite.

Bookshapedplate

I also like the working drawing showing various versions of this plate design by Sekka 1920-30, Kiyomizu Rokubai V, made the plate.

Cigarette_box

Cigarette case 1920’s, design by Sekka and lacquer by Kamisaka Yukichi.

Twotrays

These pawlonia wood trays with designs of pine trees were high on the list of ‘if I could have one thing from this exhibition…’. Design by Sekka 1920-25.

Worldofthings

A woodblock print from the series A World of Things, 1909-10. The original watercolour for this particular print, Plum Blossoms Beside the Eaves, was on display and was thoroughly engaging.

I’ve been working on my own response to the show, tentative steps at present. This design of 100 Flowers, 1903, in brocade for a window curtain caught my attention. I particularly liked the multi-coloured hydrangeas. Each sepal was one colour and was bordered by a second colour

100flowersdetail

My response, rather brighter, was to make ‘hydrangeas’ in crochet. Not sure how I will use them as yet. I’m using up left over tapestry wool that I found in a Newcastle op-shop.

19july_12lr

Closer to Sekka’s painting style are a series of paintings using Japanese pigments I’ve had sitting around my workroom for several years. Time they got used.

27july12lr

 

 

 

Fetish – Opening Night

Wow the show is up and all the work looks fantastic, thanks to the massive coordinating prowess of curator Eleanor Jane Robinson and hanging help from Clare Weeks (whose beautiful photograph, Noisy Minor appears on the exhibition invitation, see previous post).

Podspace was absolutely jam-packed on opening night and Jen and the other Octapod staff gave us great help in setting up and managing the food and drink.

Opening_night

The opening in full swing!

Frontwindow

Seen here in the gallery window are Gazes 1&2 and 3&4, by Eleanor Jane Robinson. These amazing works are all stitched with black thread (no not drawn) and just to add to the degree of difficulty all the stitches are all made vertically.

Jane

Here is another of Robinson’s works from The Glimpses series.

Daniel_smith

Daniel Smith’s work is both quirky and amazingly detailed. The top image is Tension and the one below is Beauty Therapy? His series of small diorama’s are made with scale model figures and quite a bit of imagination. More of Daniel’s work can be seen on his site.

Sylvia_ray1

Sylvie Ray’s works added the extra dimension of sound to the show and encouraged interaction with gallery visitors. People were surprised to hear the gentle sound made when the grains in the basin were poured over the porcelain lips in her work Lipsink (above)

Sylvia_ray2

Ray’s found object and porcelain Tongue Tired (above) also received a great response and was one of the most commented upon works on the night.

Threeimages

Here is my contribution, The Odd Couple 2, Calling and Washed Up (from left to right).

My apologies for not having good images to show of the work of other artists in the show. These include Sarah Barron’s Muybridge series, complex images using cyanotype and mixed media processes; Rose Turner’s paintings Fecund Phalanges; Sally Dooner’s Mossy Point series, using images composed of delicate shells and bones and her lantern slides of birds; and Gina McDonald’s print series Love Fetishes in Brancusi’s Studio.

It was really good to see that there were plenty of sales across the exhibition on opening night. Music to an artist’s ears!

Petite Miniature Textiles

Last weekend was the opening of the Petite Miniature Textiles exhibition held at the Wangaratta Art Gallery, in Victoria.

Petite

I was very pleased that my work The Odd Couple had been selected for the show.

Oddcouple

There was also a strong showing from other Canberra and region artists with work from Lisa Molvig, Helen Gray, Dianne Firth, Sairi Yoshizawa, Maryann Mussared, Carolyn Sullivan and Rachel Bickovsky.

The work from the 118 participating artists was of a very high standard. There was a strong showing of tapestry artists with some very fine work from Sue Traylen, North South Weaving; Abigail Howells, Wing Details; and Kim McKechnie, Coast.

Other stand out works for me were Anita Larkin’s Things That Howl in the Night, a series of domestic objects that were covered in a felt of wool and human hair; Mandy Gunn’s Unnatural History, made with echidna spines woven onto fishing line; John Parkes‘ Quilt for the Upper Torso, an intensely stitched reclaimed shirt front; and Ilka White’s Billabong Line 1, 2 & 3 created by threading hollow grass stems on fine thread.

Unfortunately there is no catalogue for this exhibition and photography, other than of your own work was forbidden, so you’ll need to go in person, if possible, to see the work. There are some more installation images on the Wangaratta Art Gallery Facebook page.

The show runs until 22 July 2012.
Opening Hours 12-5 Mon-Tues, 10-5 Wed-Fri and 1-4 Sat-Sun.

 

 

Diverse Directions

Time has flown and its nearing the end of our exhibition. It may be a bit late but here are some of the shots I took setting up the work.

Entrance

Looking in from the entrance…

Hangup

wrestling with one of Bev’s large twined works..

Setting_up

setting up the plinth’s for Ola’s work..

Childhood_archaeology

some of Bev’s Childhood Archaeology..

Homeseries

two of my works on paper Dream Home (lhs) and House & Land Package (rhs)

Mountainset

three of my works on cloth, lto r, New Land, Estate & Old Land..

Overview

looking back across Ola’s vessels to my printed works on paper.