Lines of Inquiry

After last week’s workshop I felt that huge buzz that comes when new ideas and approaches are opening up. The Little Oxford dictionary’s succinct definition of inquiry is “asking; question; investigation”. I like the open endedness of that definition. At present I’m happy to ask the questions without worrying too much about specific answers.

I’m looking at how to develop physical layers in my work. I’m interested in trying out different ways of creating transparency and opacity in these ‘sketches’. Some of the techniques I’m thinking about are using meshes, such as the fly wire I have trialled here.

Cotton stitching onto fly screen mesh

Cotton stitching onto fly screen mesh

In this second sketch the inspiration has come from a photograph that I have drawn onto.

Stitching into fly wire with source material.

Stitching into fly wire with source material.

This next sketch has several layers. The bottom is a photograph, over which I’ve placed a piece of screen printing mesh which I’ve drawn onto and on top of that a piece of cotton embroidery on canvas.

Photograph overlaid with mesh and embroidery.

Photograph overlaid with mesh and embroidery.

The handy thing about this piece is that the layers are still separate so I can try out different configurations. Taking photos of the possible variations is an quick way of trying my ideas out.

Lastly I took one of my photos and played around with focusing in on one section, then scaling it up. I’ve also worked back into the photograph with coloured pencils.

From original photograph to scaled-up final image.

From original photograph to scaled-up final image.

I like how this detail has become abstracted. I could use it as a background or a feature element. If I focus on the lines then I could use it as a ‘mesh’ within a piece of work. The possibilities are still to be fully explored.

Cafe Wednesday – cars

To be honest I wasn’t expecting to be posting a cafe drawing today. I had thought that I would be posting images of ‘amazing’ prints, inspired by my recent Michael Brennand-Wood workshop. But when I got to the studio I discovered that I’d been doubled booked with a full class of university students.

'Blind' drawing of a row of cars, 2 October 2013.

‘Blind’ drawing of a row of cars, 2 October 2013.

So back to the consolation of a good cup of coffee and a custard tart.

Michael Brennand-Wood workshop

I had a tremendous day last Sunday doing a workshop with UK artist Michael Brennand-Wood, who is in Canberra as an artist in residence with Craft ACT.

The workshop was called Random Precision and was focused on “the construction of component parts that fuse at a distance into a coherent form.” Everyone was asked to make two,  3-dimensional or relief constructions, using fabric, thread, wire or whatever else we bought to the class. Given that my work barely moves off the flat plane I figured that this would be a workshop to challenge me.

A quick trip to the recycling shop at the tip the day before the workshop found me with two old wooden silk screen frames, which I figured, if nothing else, I could always re-use afterwards. I found the rest of my materials by roaming around the house picking up random bits of dyed fabric and string, embroidery cotton and other left over ‘art’ experiments.

My first piece, fabric embroidery cotton plastic and other bits.

My first piece, fabric, embroidery cotton, plastic and other bits.

I found that the element of depth in this piece really engaging.

Looking into my first piece, side-on.

Looking into my first piece, side-on.

Michael emphasised the benefits of photographing the various stages of the construction. Apart from keeping a record of the work as it developed, Michael suggested that by printing these photos and working into them, adding or subtracting colour, line or other images, they could be used to further develop ideas. Even putting the 3D work over the pages of my visual diary suggested new ways to approach my work.

My second construction held over my visual diary.

My second construction held over my visual diary.

Holding the two pieces I made together also demonstrated further depth and complexity.

Michael holds mt two pieces of work to demonstrate how these might work together.

Michael holds my two pieces of work to demonstrate how these might work together.

Apart from challenging us to work in a new way Michael was also generous in the time he spent discussing our work, both from the workshop and that of our current art practice. I thought that his very constructive (pardon the pun) approach and considered suggestions were particularly valuable as an artist working by myself.

If you are in Canberra Micheal will be giving a talk at the ANU School of Art at 1.00pm this Thursday 3 October. The work from Michael’s residency will be shown at Craft ACT in 2014.

Cafe Wednesday Catch Up

I haven’t been to our local cafe much recently, but managed to make it both this week and last week.

When I checked back through my sketchbook I found my drawings from early August. So here they are earliest first.

Cafe Wednesday 7 August 2013

Cafe Wednesday 7 August 2013

Cafe Wednesday 14 August 2013

Cafe Wednesday 14 August 2013

The dinosaur’s back.

Cafe Wednesday 18 September 2013

Cafe Wednesday 18 September 2013

This week I did a pencil sketch of the signs outside the convenience store.

Cafe Wednesday 25 September 2013

Cafe Wednesday 25 September 2013

I wanted to put some colour in but was reluctant to work on the original drawing. Thankfully we now have scanning and printing so here is a coloured version of the sign drawing.

Watercolour over a scanned copy of my pencil drawing for 25 September 2013

Watercolour over a scanned copy of my pencil drawing for 25 September 2013

The Big Draw – National Gallery of Australia

The NGA has announced its Big Draw  day for 27 October. This year the Big Draw falls while the William Kentridge show, Drawn from Africa is on display (5 October to 3 November). That’s another good reason to get along to the NGA.

William Kentridge
‘Bird catching set III’ 2006
National Gallery of Australia, Canberra
The Poynton Bequest 2013

I’m planning to make it to the Big Draw this year as I’ve managed to be pre-booked every time it’s been held. Fingers crossed.